I do a lot behind the scenes at Holo Writing, from actual novel-writing to handling our graphic design, marketing, and social media presence. One of my most recent projects has been teaching myself to design eBooks in Adobe InDesign*, and this is the fruit of that! đ
Then I figured, while I’m updating the guts, I might as well update the cover, too, especially now that The Gordian Protocol has officially made Jacob a National Bestselling Author! đ˛ Man, does it feel good to put that on a cover. đ¤Š
And so, without further ado, say hello to the new eBook edition of The Dragons of Jupiter!
*An FYI for aspiring authors: We’d previously hired eBook Launch to handle our eBook formatting, and they’re fantastic, but now that we’re definitely In This For The Long Run, I figured it would be good to learn how to build our indie books from the bottom up.
I mainly chose InDesign because I already had access to it through Adobe’s Creative Cloud and figured I might as well get my subscription’s worth. Plus, I like that it allows me to have infinitesimally specific control over what’s in my files (even if it’s a beast to learn đŹ).
However, I wanted to add for the emerging authors who want a simpler, less technical mode of eBook production: Vellum is reputed to be an awesome piece of software, and at just $100, should probably be one of your first purchases as an indie if you plan on publishing lots of books. For comparison, paid formatting for us often costs $100ish PER eBOOK.
We didn’t know about Vellum when we started – if it even existed back then – but I wish we had, as having direct control over your eBook files makes it A LOT easier (and cheaper) to update internal links and booklists, change front and back matter, etc. As quickly as marketing strategies change in the indie publishing industry, any software that can help you nimbly alter your product to suit the market is Good Software To Have.
Personally, I’ve only played with the trial version of Vellum (and found it wondrously easy to use), but I have author buds who use it regularly and love it.
Hope this helps those of you who are just getting started! đ
self publishing
Interview with Keystroke Medium!
Earlier tonight, David Weber and Jacob joined Josh and Steve over at Keystroke Medium to chat collaboration, publishing, and The Gordian Protocol. Check out the interview below! đ
And of course, for more interviews and writing insight, visit Keystroke Medium’s website and YouTube channel!
Also, LESS THAN ONE DAY TO GO, Y’ALL! đđđ
FantaSci Panel Schedule!
Hey, readers! Our 2019 con season is kicking off this weekend at FantaSci in Durham, NC!
Here’s a list of our panel appearances and fellow panelists:
COLLABORATING WITH AN AUTHOR
FRIDAY, March 22nd @ 3pm – Camellia
Writing by oneself is a journey, but collaborating with an author is a whole other kind of adventure! We’ll discuss the perks and challenges that come about when two heads come together (sometimes literally).
Panelists: Jacob & H.P. Holo, David Weber
SELF-PUBLISHING FOR SHY PEOPLE
FRIDAY, March 22nd @ 4pm – Camellia
For many aspiring authors, being an introvert is almost synonymous with being a writer…but unfortunately, that doesn’t sell books. We’ll discuss how to get the word out about your writing when all you want to do is hide behind your favorite notebook.
Panelists: H.P. Holo
CARE AND FEEDING OF AUTHORS
SATURDAY, March 23rd @ 11am – Camellia
The role that wives, significant others, family and friends have in caring for the writers that we love so that they can focus on creating the stories that we love.
Panelists: H.P. Holo and other author spouses
WRITING BY THE SEAT OF YOUR PANTS
SATURDAY, March 23rd @ 1pm – Rose
Pantsers unite! Some writers like to chart their story’s course and follow it to the letter. We are not those writers. We’ll discuss tips for writers who want to wander…without getting lost.
Panelists: H.P. Holo, Christopher Woods, Rob Howell, Terry Maggert, and Jason Graves
CHAOS OF CREATION: BALANCING WORLD BUILDING WITH STORY
SATURDAY, March 23rd @ 6pm – Rose
Sometimes you create a world so vast, you can’t possibly fit it all in a readable story. How, then, do you decide what to keep? We’ll discuss how to write a fascinating world while keeping readers engaged through plot and character.
Panelists: Jacob & H.P. Holo
JUMP, JIVE, and WRITE: A DISCUSSION OF MUSIC AS CREATIVE INSPIRATION
SUNDAY, March 24th @ 9am – Rose
The great philosopher, Plato, once said that âmusic gives a soul to the universe, wings to the mind, flight to the imagination, and life to everything.â Come hear a panel of authors discuss their musical influences growing up, as well as the songs, artists, and themes that drive their writing today.
Panelists: Jacob & H.P. Holo, Jason Cordova, Jason Graves, and Ian Malone
CRAFTING TIME TRAVEL RULESETS
SUNDAY, March 24th @ 11am – Magnolia (Main Room)
Time travel writing is fraught with paradoxes and endless potential for plot holes. We’ll discuss how to design a time travel system that doesn’t break your universe.
Panelists: Jacob Holo and Steve White
Schedule is subject to change so, check out the website or Facebook page for the most up-to-date info.
See you this weekend! đ
Self-Publishing for Profit – Book Review
These days, âHow to Self-Publishâ books are a dime a dozen. Chris Kennedyâs Self-Publishing for Profit is $6.99 on Kindle, but itâs easily the best $6.99 youâll ever spend if youâre looking to break into self-publishing.
Kennedyâs writing background is similar to that of many indie writers, which is to say, heâd never really been a writer until he suddenly had an idea that wouldnât let go (in this case, the idea that became his book Red Tide: The Chinese Invasion of Seattle). Since then, heâs gone from never having written a novel at all to writing several series and an ever-growing universe with several other authors and running his own publishing house. All this said, it makes him a perfect teacher for new writers who are starting in a similar position.
This is what makes Self-Publishing for Profit stand out from other self-publishing books. Though its first three sections focus on information similar to what youâd find in other books – namely, marketing and engagement – the fourth is where the book becomes truly valuable for writing newbies. It outlines everything from how to figure out what kind of book you should write (Tip: Donât just follow trends, and try to be niche when you can.), to creative writing tips he learned through trial and error, to a section literally titled âHow Not to Look Like a Newbie.â Formally-trained writers wonât have much use for this section, but if youâve barely ever picked up a pencil except to write a grocery list, this is the section for you.
Formally-trained writers, depending upon their experience with book production, will have some use for the fifth section, which outlines how to perfect a book for publication. This section covers the different types of editing (copyediting and content editing), how to go about finding editors, words to avoid, and simple ways to tighten up your writing. Before I started publishing, writing had been one of the defining elements of my life – the people around me have identified me as âthe writerâ since 4th grade, and I took as many creative writing classes as I could and even majored in creative writing at one point – and there were a few practical tips in this book that I hadnât come across even in my years of study!
These sections, then, are a gem for the new and inexperienced writer. The subsequent sections, however, are invaluable for writers of all kinds. Sections six through nine cover the important details one must consider to give a book the best chance of selling. Section six covers basics like cover design, while section seven covers how to make the book available for sale as an eBook. Section eight, though, is where this area begins to shine, covering the many ways in which books can be repackaged for sale – as print books, audiobooks, or foreign-language editions – and providing the reader with the resources to make those versions happen. This is perhaps the most valuable thing about this book – for every piece of advice given, there are links to resources where readers can pursue that topic further. Section nine delves back into marketing, and the book ends with section ten, which explores what to do next, whether you want to continue producing books, or whether you want to figure out why your current book isnât selling as well as youâd hoped.
All in all, Self-Publishing for Profit stuffs a whole lot of information into a small, quick, easy-to-read package. If you want to self-publish but have no idea where to start, this is a great place, and even if you already publish, it canât hurt to give it a read. Youâre bound to learn something new!
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