IN SHORT: Warmachine Vengeance has arrived. Let’s dig in. As with previous releases, every Warmachine army gets a healthy heaping of awesome, this time with an emphasis on speed with exciting cavalry units and mobile warcasters. It also ushers in an interesting cast of journeymen warcasters. The book is printed in stellar full color with plenty of gorgeous new artwork.
Let’s take a look at the new Menoth models.
SERVATH REZNIK, WRATH OF AGES: Reznik got himself a chariot! He’s now a cavalry battle engine warcaster, with all the plusses and minuses that entails. As with any huge base model, survivability is important because they’re … well, they’re huge targets. Fortunately, Renzik has that covered. ARM 17 and 7 Focus can let him camp up to ARM 24. Those 20 hit boxes aren’t going away in a hurry. Oh, and if he has at least one Focus on him, non-magical ranged attacks automatically miss. Those rules will definitely help with his approach, because melee is one of his strengths.
Renzik can cast Creator’s Wrath on himself, granting an additional die to melee attack and damage rolls and makes those attacks ignore defensive buffs. Given Renzik’s already solid MAT 7 and P+S 13 and the fact that he can boost those rolls even further, it becomes clear what a monster in melee he is. Add in Flame Burst on his spear, and a feat that lowers enemy DEF by 2 and makes them explode into 4” POW 12 AOEs, and he can do a lot of damage before even considering his army.
He also comes with a lot of support options, Death March being the most exciting one in my opinion. There are plenty of units that can benefit from +2 MAT and Vengeance. Free 3” move and attack in the maintenance phase after losing a model? Yes, please! Iron Aggression is a carryover from Renzik’s prime version and grants a friendly warjack (doesn’t have to be in his battlegroup!) boosted melee attack rolls and a free run, charge, slam, or trample. Finally, he can put Lamentation up to double Focus or Fury costs within his control area.
Renzik looks like he has two basic modes of play, along with combinations of both styles. He can go straight in, spear-to-the-face style. Or he can hang back and provide a generous amount of support to his army. If your opponent doesn’t have much in the way of magical shooting, he can do both at the same time.
Pretty awesome. Should be interesting to see him in action on the table.
INDICTOR: This heavy warjack is a solid brick of Menoth-flavored nope. First, it’s got a generous damage grid, ARM 19 and a shield. It’ll take some effort to put down. With Sacred Ward, it can’t be targeted by enemy spells either.
But the big one is Consecration. Within 5” of this guy, enemy models can’t cast spells, channel spells, or upkeep spells. Yikes! Talk about disrupting your enemy’s plans! As an added bonus, its P+S 17 melee attack is magical and Blessed for ignoring enemy defensive buffs. Because it’s always nice to ignore even more of your foe’s efforts.
So yeah, like I said, this thing is a big can of Menoth nope. Very nice.
FLAME BRINGERS: These ladies on horseback are fast! I mean, really really fast! Not only do they come with SPD 9, but they also have Side Step for an additional 2” move after every initial attack that hits. Oh, and they have three attacks. They’re light cavalry, which gives them a 5” move after their actions are complete. All summed up during a round they charge, they can move an amazing 23”!
They come with Pathfinder, so terrain isn’t slowing them down, and when they’re hitting, it’s with P+S 9 Weapon Master swords. Not bad at all. They also come with Critical Grievous Wounds, a devastating ability against Hordes … when it actually triggers.
EXEMPLAR BASTION SENESCHAL: What are harder to kill than Exemplar Bastions? How about healing Exemplar Bastions! This model heals every Exemplar Bastion model in its command range 1 point at the beginning of their activation (including itself).
It also comes with an impressive suite of rules to keep it alive. It’s a Jack Marshal, and if it’s marshalling and in base to base contact with the warjack, it gets +2 ARM and can let the warjack take ranged and magic attack hits in its place. Defensive Strike gives it a free attack when someone walks up to it, once per round.
For 3 point, worth it if you’re fielding Bastions. Definitely worth it. Just imagine trying to shift this guy marshalling a Vigilant or Devout behind a full unit Bastions. Not going to be easy!
INITIATE TRISTAN DURANT: As a journeyman warcaster, he has a wide range of applications, but to me this guy’s rules scream “I want an arc node!”
First, he comes with a solid attack spell in Immolation. This POW 12 attack spell only has a range of 8”, but it causes the fire continuous effect on critical hits. Not bad.
However, it gets better. Durant has True Sight, so he ignores concealment, Camouflage, and Stealth. Now let’s think about how many powerful solos have those rules for protection, but wouldn’t like a POW 12 flame spell to the face? A lot, right? He also comes with Fortify to keep his arc node safe with +2 ARM, immunity to knock down, and a few other effects.
Durant lacks any special rules that help with his survivability, so it’s best to keep him back from the front lines. His DEF 14 and ARM 15 are decent, and he can pull off an impressive five attacks with P+S 11 and Blessed if he has to get into melee. But he’s just doesn’t feel like he’s meant for the front lines.
Alternately, instead of an arc node, he can keep a ranged warjack flush with focus and help it wail away at the enemies. Though honestly, any of the journeymen warcasters can do this.
SUMMARY: Privateer Press continues to release new and exciting models for each of its factions, ensuring that whichever army you play, you keep getting new options to bring to the tabletop. All in all, Vengeance is great release for a game that keeps getting better.
Check out the complete list of Warmachine and Hordes articles here.
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Warmachine Vengeance Review: Khador
IN SHORT: Warmachine Vengeance has arrived. Let’s dig in. As with previous releases, every Warmachine army gets a healthy heaping of awesome, this time with an emphasis on speed with exciting cavalry units and mobile warcasters. It also ushers in an interesting cast of journeymen warcasters. The book is printed in stellar full color with plenty of gorgeous new artwork.
Let’s take a look at the new Khador models.
KOMMANDER ZOKTAVIR, THE BUTCHER UNLEASHED: This guy will wreck your face. First, just in terms of raw hitting power, the Butcher has a MAT 9 P+S 16 Weapon Master axe with Reach. He can cast Flashing Blade to hit every model he’s engaging at the same time, and he has Silence of Death for negating Tough rolls and damage transfers. Absolutely sick!
But it gets worse. His feat lets him refill his focus. Perfect for assassination runs. He also comes with two War Anguses, which are fairly dangerous on their own, but are even more dangerous when they die because that triggers the Butcher’s Vengeance ability (free 3” move and attack in the maintenance phase). They also grant the Butcher Relentless Charge, so he has Pathfinder when he charges in.
But it gets worse! The Butcher also comes with Energizer for up to 3” of additional movement and Impending Doom for drawing enemies within 5” in to be carved up with Flashing Blade. Let’s just recap all those movement shenanigans. SPD 5 base + 3” charge + 2” Reach + 3” Vengeance + 3” Energizer + 5” Impending Doom. That’s 21” of non-linear threat range. Very, very nasty!
The Butcher Unleashed is a pure assassination caster. As pure as they come. His army is nothing but a means to an end, and that end is the Butcher’s axe in the enemy warcaster/warlock’s face.
GROLAR: Here’s an impressive and versatile Khador heavy warjack. First, its piston hammer is P+S 18 and inflicts Ram (knock down plus a 1” push and 1” move follow up). Very nice. It’s auto cannon is POW 12 RNG 8. Nothing too exciting until you see it gets 5 shots! Make the initial attack, spend 2 focus, and fire 4 more shots thanks to Double Strike. That’s a lot of cannon fire!
With Virtuoso and Gunfighter, the Grolar can use its melee and ranged abilities in any combination the situation calls for. It’s also surprisingly mobile. Between +1” for Rams and +2” for Fleet, it can clear a good amount of ground (for a Khador warjack, anyway), all while using both melee and ranged attacks in the same turn.
All this for the fair price of 9 points. Like I said, impressive and versatile.
GREYLORD OUTRIDERS: Greylords on horseback. These guys bring two abilities to the table. First, they can move in, spray down enemies with Frostbite, then move back 5” thanks to being their light cavalry rules. Or they can use Winter’s Wind on a friendly Khador model. Any enemy that ends their activation within 2” of that model becomes stationary. Ouch!
Just think about putting this effect on the Conquest or heavily armored warjacks like the Devastator or any big and tough Khador model for that matter. Since each Outrider can place this on a model, you can in theory have five of these Winter’s Wind areas up, heavily disrupting your opponent’s plans. And disruption is good.
Beyond that, the Outriders also have Snow-Wreathed which gives them permanent concealment, bumping their DEF 13 up to DEF 15 against most shooting. This will help keep them safe while they do their work.
IRON FANG KOVNIK: For 2 points, this guy makes Iron Fangs better. Not too much to say beyond that. He makes them immune to knock down with No Sleeping on the Job [Iron Fangs], and he gives them +2” movement when their shields are up with Shield March. He can also Jack Marshal and is comes equipped with a P+S 12 Weapon Master Reach attack. ARM 15 and Unyielding make him effective ARM 17 when in combat, so he’s not a pushover to get rid of.
A solid support solo for those who use Iron Fangs, though Shield March can apply to any unit that uses the Shield Wall order.
KOVNIK ANDREI MALAKOV: This journeyman warcaster is defined by his Redline spell. With this, a warjack gets +2 SPD and +2 STR, but at the cost of d3 damage at the end of each activation. Just about any Khador warjack can make good use of those bonuses. Perhaps not surprisingly, he goes very well with the new Grolar, being able to keep it flush with Focus while giving it an additional +2 SPD, letting the Grolar charge enemies up to 11” away. For Khador, that’s very fast indeed.
Finally, he comes with Sucker! to keep him safe. Ranged attacks that hit him must be pawned off to a nearby warrior model, so he definitely wants to stick around some infantry. Of course, he can still get nuked with magic attacks. Base ARM 13 and DEF 14 will only do so much, so watch out.
SUMMARY: Privateer Press continues to release new and exciting models for each of its factions, ensuring that whichever army you play, you keep getting new options to bring to the tabletop. All in all, Vengeance is great release for a game that keeps getting better.
Check out the complete list of Warmachine and Hordes articles here.
Iron Kingdoms – SPLAT!
Jacob Holo: The gobber retrieves four circlets from his bag and places them on the ground in front of you. He handles them with thick leather gloves and uses extreme care. At no time does he touch them directly. The wide rings of twisted black metal radiate an aura of palpable evil. Even standing several feet away, you can feel the joy and color of the world starting to fade. Birds aren’t singing. Crickets aren’t chirping. Even the sound of wind through the trees has come to a stop. A strange unearthly chill settles over you.
Erik: I take one and put it on.
Jacob Holo: Of course you do. I mean, why wouldn’t you?
I’m beginning to think these players aren’t taking me seriously. And to be honest, maybe this is my own fault. Because I prefer everyone to have fun. Yes, I want to challenge the players, but I don’t feel the need to stomp their faces into the ground and pour salt in their wounds. No one likes a frustrating, unfair obstacle in the middle of their gaming session.
I am, first and foremost, a story teller. I relish the chance to take people on a journey, and that’s hard to do when they’re taking a roleplaying dirt nap. So, sometimes I bend the rules.
Jacob Holo: The Cryxian helljack staggers upright, foul glowing liquid pouring from the bullet holes in its chassis. It charges Erik, shaking the earth with each thundering stride. The helljack pulls back a fist of wicked claws and … <rolls dice>
Erik: Oh, this is going to hurt.
Ferrous Claw: How much health do you have left?
Erik: One point.
Ferrous Claw: Dude, nice knowing you. I call dibs on his shoes.
Fiz: No fair! I wanted them.
Jacob Holo: <dice roll result is a hit> … Ooh, so close. The helljack swings. You drop to your knees at the last moment. The massive metallic fist sails an inch over your head, taking your hat with it.
Erik: No, not my hat!
And that’s fine. A slightly modified die roll can give the party a bit of good “luck” when they need it the most or can turn a boring encounter into a true challenge, making the game all the more thrilling.
But perhaps I’ve been too forgiving. It’s time for their luck to run out. Nothing focuses a group of players like a brutal and unexpected death. And this crew does some really stupid stuff from time to time.
For example …
Jacob Holo: You carefully examine the narrow iron bridge and find a hinged plate spanning the entire width. No way around it and no guardrail. There’s another hinged plate on the opposite side. The mechanism looks like it’ll give out when sufficient pressure is applied. The gap they form is about six feet.
Erik: I’m going to jump it.
Jacob Holo: You take a step back and pause, glancing down at the inky blackness below. You don’t know how far it is to the bottom, but you guess the drop will be fatal.
Erik: I’m still going to jump it.
Jacob Holo: Sure. Why not. Jumping skill check.
Erik: <rolls dice> Err …I rolled a two.
Jacob Holo: You take a running leap, but your foot slips at the last moment. You stumble forward. The plates give way, and you plunge into the darkness screaming.
Erik: Can I turn around and try to catch the ledge?
Jacob Holo: Your comrades watch you disappear into the gloom below. Your scream fades until it’s abruptly cut off by a bone-crunching splat that echoes in the chasm.
Erik: Guess not.
Dark Souls II Collector’s Edition Guide – Book Review
IN SHORT: A lavishly produced 460-page hardcover tome with everything a Dark Souls II fan could want.
WHAT IT IS: Massive and beautifully bound, this collector’s edition guide for Dark Souls II not only includes a great deal of information about the game, but also sheds light on its sometimes nebulous background story. Many sections were written by gamers for gamers, with writing credits to Marcus Sanders and Franz von Eisenheim, otherwise known on YouTube as EpicNameBro and A German Spy.
WHAT IT IS NOT: As with many releases of this nature, it was written while the game was still being developed, resulting in some rushed elements. For example, there are an unusually high number of typographical mistakes in the guide. Fortunately, this doesn’t detract from the value of its content.
WHAT I THOUGHT: I love Demon’s Souls. I love Dark Souls. And I love Dark Souls II. Also, I probably spend more time than I should on YouTube watching videos related to these games. When I learned that the people behind two of my favorite Souls-related YouTube channels were working on the new guide, I had to check it out.
I do not regret this decision.
The guide is something special and awesome for two important reasons. One, it is packed with Dark Souls II lore. Two, it was partially written by two gamers who are near fanatical in their devotion to the Souls games.
For those not familiar with the Souls games, the stories can be … a bit hard to follow. Most of the information directly provided is vague, and the rest is even vaguer. A lot of story is delivered through environments, item descriptions, and other indirect methods. It also doesn’t help that some characters in the games have no idea what they’re talking about or are outright liars.
The Dark Souls II Collector’s Edition Guide sheds a light on all this. It provides bits of lore with every area, enemy, boss, and item. This is really great stuff for anyone who wishes to learn more about the backstory. It even includes a lore index so you can quickly find the bits of backstory you’re curious about. How cool is that?
The actual game strategies are top notch, particularly the boss strategies which discuss each move a boss has in detail. Enemies, covenants, items, world events. Really, everything is covered and it is covered very well. The maps are also very impressive and surprisingly easy to read, given how densely packed Souls games can be.
Now it’s not perfect. There are the occasional omissions. For example, the water in a certain boss arena rises during the fight, making the battle much more difficult if it drags out. Therefore, it’s best to deal with the boss quickly before this becomes an issue. This is not mentioned in the guide. There are also a significant number of spelling and grammatical errors. But really, it’s not enough to diminish my enjoyment of this guide.
If you are a fan of the series, are interested in the lore, or just want to sharpen your Souls skills, this is a fantastic guide that does it all in a lush hardbound package.
VERDICT: Strongly recommended.
Also be sure to check out the EpicNameBro and A German Spy YouTube channels for plenty of great Souls content.
Humanity Machine – 1st Draft Complete!
artwork by the very talented Adam Burn – used with permission
The first draft of Humanity Machine is officially complete! Woohoo! Weighing in at a hefty 140,000 words, it’s a bit longer than The Dragons of Jupiter and is now my largest novel to date, though editing may change that.
I’ve already completed my first editing pass, and I have to say I’m pretty excited about this one. Don’t get me wrong, there’s still plenty of polishing that needs to be done, but the fundamentals are definitely there. I’m going to make one more editing pass, then hand it off to H.P. for her first read through. After that, I’ll do my third editing pass, then give it on to my test readers.
And from there it’s edit, edit, and edit again. Plus start talking to Adam Burn about some awesome cover art. Time to clean this manuscript up!
So what is Humanity Machine, you may be wondering. Well …
Humanity Machine is a story of Manufactured People. Soldiers created on demand using an advanced form of 3D printing. More precisely, this is the story of one such soldier: Vance. This is her journey as she grows from just one more cog in the machine to an individual that can shape the destiny of her people.
Humanity Machine is a story of Intense Space Battles. Highly advanced, self-modifying warships slugging it out in the depths of space. Vance serves as one warship’s drone controller, commanding her squadrons of interceptors and bombers against a powerful and tenacious foe.
Humanity Machine is a story of Divided Humanity. Not by politics or ethnicities or faiths, but by technology. It’s a story about how technology molds a society, and how that technology can make its people seem very alien to an outsider. Imagine a society with no families, no children, and no gender roles. Imagine a two-tiered society of the created and the creators. What would that society be like? What would its people be like?
Yeah, I’m excited about this one.
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Writing Techniques – Character Sheets
Today, I would like to discuss one of my favorite writing tools: the character sheet.
Characters form the heart and soul of a story. They can breathe life and energy into an otherwise dry tale. So, naturally, their creation is a very important skill for a writer to learn. I suspect there are as many methods for generating new characters as there are writers. Who’s to say one method is better than the other?
Not me, that’s for sure. But I have developed a method that works for me. Here’s what I do.
When an idea for a story begins to take form, I determine what roles I will need. How many characters are required to tell the story? Where are their places within the story? What functions need to be filled?
I divide the roles into two categories: Technical and Personal. For example, if I’m writing a story about an elite military squad, a Technical list might look like this:
- Squad Leader
- Sniper
- Demolition Specialist
- Tech Expert
And a Personal list might resemble this:
- Main Character
- Love Interest
- Dependable Cohort
- New Guy/Gal
I can then combine the two lists, mixing and matching, looking for holes as I go. The result might look something like this:
- Squad Leader – Main Character
- Sniper – Love Interest
- Demolition Specialist – Dependable Cohort
- Tech Expert – New Guy/Gal
This list will go through many revisions as the story evolves from a crude sketch to a more robust outline. For me, it’s easy to mix and match the Personal and Technical roles. Some characters may have multiples of one type or even both. This can be especially true for major characters. Roles can, of course, change as a story progresses, but that is something I save for the plot outline itself.
These roles form the basic building blocks for the characters. Once I’m happy with the roles I’ve listed, I begin to add details and depth to each character. In order to do this, I use a character sheet.
My character sheets vary a little from novel to novel, but they’re mostly the same. Basically, it’s one big list of characteristics that I fill in order to gain a better feel for the character. Character sheets also serve as excellent references when I’ve forgotten the cool details I had planned.
This is one of the reasons I outline so heavily. I forget stuff.
So, what do these character sheets look like? Well, they look like this, actually:
- Character Description
- Age
- Gender
- Weight
- Height
- Health
- IQ
- Appearance
- Occupation
- Goals
- Morals
- Poignant Memories
- Past Traumas
- Hobbies
- Likes
- Dislikes
- Confidence
- Fears
- Sense of Humor
- Family
- Flaws
- Skills
- Charisma
- Speech Pattern
And yes, I fill in each line for almost every character I write about. Does all of that make it into the novel? Is all of that even relevant? Do I need to do this? No, of course not. But filling in all of that stuff helps me develop each character into an individual, unique voice. It’s a tool I use, nothing more. If it helps me write the character, then the tool has done its job.
It may not be the best way to craft characters, and it certainly won’t work for everyone, but it’s a method that has served me well for many years.
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Pacific Rim: Tales from Year Zero – Book Review
One movie reviewer commented that the Pacific Rim movie watched like a sequel to a previous movie that the filmmakers forgot to make. This was possibly due to its quick prologue, which summed up the movie’s tagline (“To fight monsters we created monsters”) via disaster montage and then fast forwarded to the present of the movie’s story.
The graphic novel prequel Pacific Rim: Tales from Year Zero by Travis Beacham aims to fill the gap left by that prologue. As audience goes, it’s primarily for readers who think Pacific Rim was the best use of Hollywood resources EVER, but also agree with that reviewer in that the film could have used a bit more character development and backstory.
For those who are unfamiliar with Pacific Rim, here is its premise: Enormous monsters called Kaiju have come to earth through an inter-dimensional rift and plan on wiping out humanity because plot. Lacking any effective defense, humanity builds giant robots called Jaegers to fight them, and then they wail on each other for two hours. There is more to the story than that, but ultimately it comes down to “GIANT ROBOTS VS. GIANT MONSTERS,” and if you’re looking for more than that, Pacific Rim: Tales from Year Zero is not for you.
As the graphic novel’s title suggests, its story begins when the first Kaiju attacks and proceeds to cover the development of the first Jaegers, along with the emotional tumult that the characters go through when creating them. Overall, it’s a better-than-average book. For a story that moves as quickly as it does, it manages to pack in a lot of good character moments, with some of the most memorable characters being those who don’t even get that much page time (Not to say that they’re characters that will be memorable beyond the book—because they won’t—but they’re neat while they’re in the story). When characters from the movie eventually show up, their actions and dialogue are consistent with those of their movie selves. This is even true of fan-favorite Stacker Pentecost, the subtle bada** whose appeal in the movie was so intrinsically tied to Idris Elba’s performance. The art is a bit higher-quality than one would expect of a simple movie tie-in—stylish, with a few really good, high-action panel arrangements—but nothing spectacular for the reader spoiled on most recent comic art. It’s a quick read, and worth it if you already like Pacific Rim. However, how much you like the graphic novel itself will depend upon your reaction to this final point: There’s almost no Jaeger vs. Kaiju action in this thing.
This is logical, since the Jaegers only barely exist at this point in the story’s chronology, but readers who were hoping for continuous giant-monster-face-punching action like that seen in the movie will be sorely disappointed. The few combat scenes that exist are well-illustrated, which somewhat makes up for the general lack, but ultimately, Pacific Rim: Tales from Year Zero is more interested in its characters than its Kaiju. This isn’t necessarily a bad thing. In fact, I didn’t notice the lack of action until I’d finished the book, I was so distracted by everything else. Still, it’s a bit jarring in retrospect, since so much of the movie’s appeal rests in its over-the-top action sequences.
Ultimately, though, Pacific Rim: Tales from Year Zero is a good little read. It’s not likely to be remembered, even by the movie’s most enthusiastic fans, but it’s a fun way for a fan to spend an hour while wishing for Pacific Rim 2.
Future Diary, Volume 1 – Book Review
Yukiteru Amano is a perpetual bystander. Since he prefers not to interact with other people, he occupies his time by keeping a cell phone diary of random goings-on that occur around him. Oh, and by hanging out with his imagined friend Deus ex Machina, the God of Time and Space…who, Yuki finds, is not so imaginary after all. Seeing that Yuki could use a bit of excitement in his life, Deus decides that a game is in order. He gives Yuki and eleven anonymous people the ability to know the future via cell phone diaries—Future Diaries—and then baits them with this challenge: The last one remaining will inherit his position as the God of Time and Space. Yuki must now fight for his life.
Future Diary Volume 1 by Sakae Esuno reads like it wanted to rank on the same tier as Death Note and Eden of the East, but could never get itself together before the artist’s production deadline. It follows a similar structure as the aforementioned epic mysteries, giving common people extraordinary and morally complicated power and then forcing them to use it while combating unknown forces that are out to end them. However, the suspense that rose so perfectly in those series falls flat here, mostly due to disappointing characters and too-easy information reveals.
Yuki is not engaging as a protagonist; he doesn’t do much with his life and doesn’t think he’s worth that much anyway, which doesn’t give him much to strive for, which in turn makes him an irritatingly passive main character, even when his life is at stake. His eventual companion Yuno Gasai is far more proactive in the story, serving as his defender—but only because she has an obsessively stalker-like interest in him, going to such lengths as triggering an enemy bomb to blow up a school full of people who refused to defend him. And yet we’re supposed to be sympathetic to these characters.
Most of the twists in the story come without much effort, too. Yuki doesn’t even have to work to find out that Yuno is the second Future Diary holder—she just pops up and reveals the fact to him. Most of the others in this volume do the exact same thing, which makes the anonymity of Deus’ setup seem rather useless. Deus himself is not especially useful in the story, either. He disappears totally once the game is fully explained, which makes me wonder if the writer didn’t just toss him in as an excuse to get the mayhem rolling and give the characters something to fight over.
If anything, the basic concept of the Future Diaries is neat. The participants don’t all receive the same information about the future; rather, their information comes through a filter based upon the kinds of information they kept on their phone before Deus’ game. Yuno’s unsurprisingly specific Yukiteru Diary only updates information about Yuki’s future, while another character’s Criminal Investigation Diary updates information about crimes, and another’s Escape Diary about the possibilities for escape in any situation. Yuki’s Random Diary contains the broadest picture of the future, but is rarely about his future, since he never wrote about himself in his own diary. These gaps in information alone could have played into a grand thriller of a plot, but they don’t even come close to doing so, much like the rest of the comic.
Future Diary is a paragon of squandered potential. It could have been a fantastic psychological thriller, but unfortunately, lost itself in unlikable characters and half-done everything.
Airman – Book Review
Conor Broekhart was made for the air. Born in the middle of a hot air balloon crash, he has ever since sought to reenter the atmosphere. As the student of a French aeronautics expert, not to mention a family friend of the king of the scientifically-curious Saltee Islands, he’s in a perfect position to make his dream of inventing a powered flying machine come true—until he’s framed for a murder that rocks the Saltees to their core. Imprisoned in the unforgiving dungeons beneath Little Saltee, Conor must now face despicable prison guards, manipulate dangerous gang members, and keep himself alive, all the while trying to escape. For he holds a secret that could change the fate of the Saltee Islands, and a certain murderous marshal doesn’t want it to be heard…
Eoin Colfer’s Airman is a fun, adventuresome romp through 1800s Ireland and the air beyond.
While the novel can appeal to readers of historical fiction, it is better read as an adventure scientist tale a la Indiana Jones. Attentive readers can learn a lot about the science and early history of powered flight from the story,but Airman is most interested in taking its readers on a daring journey from the depths of inhumane dungeons, into the atmosphere itself, and everywhere in between. It’s the kind of story in which the best scientists know how to swordfight, plans are secretly recorded on dungeon walls in bioluminescent moss, and gangs of spunky, witty street urchins are effortlessly assembled to aid the heroes. Which is to say, the stuff of Hollywood movies rather than history class. Still, this isn’t necessarily a bad thing. The novel succeeds at many other elements of the adventure scientist subgenre, with energetic action scenes and a memorable cast of colorful, properly exaggerated characters, even if some of the characterizations are obvious. (One character is named Bonvilain. Guess whose side he’s on.)
The only thing that I truly disliked about the story was its approach to the history of its setting. In Airman, the Saltee Islands are an itty bitty group of islands off the Irish Coast that became a sovereign nation because a king, in a supreme act of royal sass, decided to put a complaining subject in his place by forcing him to rule over the useless plot of land. This promptly came back to bite said king, for massive amounts of diamonds were then discovered in the Saltees, and since the new king was awesome, he used this newfound wealth to create a utopia, where poverty was minimal, people lived happily and scientific innovations were always welcomed and encouraged. In reality, the Saltee Islands are one big HA HA NOPE. A quick visit to the islands’ website, http://www.salteeislands.info/, reveals that the only interesting things that the Saltees ever did were be a bird sanctuary, have some pirates, and trick ships into thinking they’d be fun to ram into. Which are all neat in their own ways, but not Benevolent-Ruler-Diamond-Mining-Utopia neat. But then again, this does fit Airman cleanly into the same genre of fiction where biblical artifacts can melt faces off Nazis, so historical accuracy isn’t really a requirement.
Overall, Airman is an entertaining read, especially for readers who are looking for a fun bit of historical escapism. Fans of historical fiction and adventure will definitely find something to like in it. For similar reasons, steampunk fans may also want to give it a try. (Even though it isn’t steampunk, its historical period and energetic approach to science echo elements of the best steampunk titles.)
Iron Kingdoms – Substitute Teacher, Menoth Style
With an established party of adventurers, substitutions can be tricky. As Dungeon Master, how do you eject a missing player from the narrative on a temporary basis? How do you maintain the balance of challenges versus the party when 25% of their resources are missing? How do you revise a planned session to account for the missing player?
Basically, improvise.
If I have warning, I can normally craft a suitable story, but this one came as a surprise. Our group is pretty good about attendance, but I suppose one of them being pregnant is a suitable excuse to take care of other business.
Anyway, I had to cut her character out. Somehow.
But how?
Oh, right. I’ll use that trick.
Jacob Holo: You find a letter shoved under the cabin door. It’s from Sam. She says she left during the night and that she’ll meet up with you on the mainland.
Erik: Does the letter say why?
Jacob Holo: Uhh … yeah, sure. It says she’s taking a detour to meet someone called Nancy Preg. It sounds urgent.
Erik: But aren’t we still on that pirate ship?
Jacob Holo: She took the long boat.
Erik: In the middle of the ocean?
Jacob Holo: Dude, just roll with it.
Oh, yeah. Seamless transition.
With that problem out of the way, I had to deal with the other problem of combat balance. The party was down its tank, and they were about to come up against some nasty trouble. I could have turned down the difficulty, but I really didn’t want to. We were fast approaching a plot climax, and the battles needed to intensify accordingly.
So, it was time to introduce an NPC to help out. A Menoth ship (now shipwreck) encountered in the last session seemed the logical choice. I grabbed my Menoth rulebook, picked a stat line, and retrieved the all important “Menoth Voice Simulator” from the kitchen cupboard.
I had everything set for the substitute character. Which is fine in theory, but that’s before players start mucking around. This crew is naturally suspicious of new characters. They might attack on sight or just kill the NPC for his shoes. Again.
My new Menoth Cinerator wouldn’t last five seconds.
Fiz: Hey, there’s this heavily armored guy in the woods up ahead.
Ferrous Claw: What’s his armor look like.
Fiz: Umm … what did it look like again?
Jacob Holo: White and red heavy plate with gold trim.
Fiz: Right. What he said.
Erik: Does he look undead?
Fiz: Umm, did he?
Jacob Holo: The individual is completely encased in armor. You don’t even know if it’s a he.
Ferrous Claw: Sounds tough. I think we should recruit him.
Erik: Yeah, good idea.
Fiz: We can use him to replace Sam! He’ll be like a substitute teacher, but with MORE PAIN!
Jacob Holo: What? Seriously?
Ferrous Claw: Did you say something?
Jacob Holo: No.
And so, based on absolutely no evidence at all, they decided to recruit this new character who then joined the party and helped set many Cryx ablaze. If only all of my NPCs were so fortunate. They didn’t even try to steal his shoes or anything. I was almost disappointed.
Almost.
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Lizzie Newton: Victorian Mysteries, Volume 1 – Book Review
Lizzie Newton is equal parts Agatha Christie and Sherlock Holmes, a budding mystery writer who does more than write mysteries—She solves them, too. No one wants to believe this of her, though, because this is the Victorian era, after all, and women don’t do that sort of thing. This is why Lizzie must hide her talents behind a masculine pen name and send her deductions through her lawyer-in-training fiancé, Edwin. But this doesn’t stop her from traipsing onto crime scenes as she sees fit, prodding corpses, and showing up everyone who thinks she’s wrong with a cute grin and the power of logic and science.
I didn’t expect much of Hey-jin Jeon’s Lizzie Newton: Victorian Mysteries Volume 1 simply because I’d never heard of it before. Now that I’ve finished it, I can’t help but wonder why. It’s a true gem of a comic.
What’s most impressive about Lizzie Newton is the number of things that could have gone wrong in the comic compared to the number of things that it did very well. The illustration on the cover—wide-eyed Lizzie, smiling sweetly in a frilly dress—led me to expect the adventures of a vapid girly-girl who stumbles clumsily but adorably into her solutions because that’s what happens in manga where the protagonist is a cute girl. Lizzie is anything but. While she is absent-minded, it’s in an intellectual way—She’s so distracted by the thrill of solving a mystery that it never occurs to her that it is NOT OK to poke her finger into the bullet hole in a corpse’s head before the police even arrive to investigate the scene. And though she is, for all appearances, a cute Victorian lady with limited practical sense, there’s a real brain behind that bonnet, and a personal collection of books and scientific equipment to back it up. She’s a perfect combination of “feminine” cuteness and “masculine” logic, without being an exaggeration of either. Her relationship with Edwin is also refreshingly positive. Edwin himself is a capable (as opposed to amusingly bumbling) companion. Though he does, of course, become exasperated with Lizzie’s absent-mindedness, he’s ultimately supportive of her investigative hobbies and does what he can to make Lizzie’s discoveries known—in her name. In fact, in addition to portraying a female protagonist who is productively interested in science (as opposed to using science for comedic, explosive effect), the comic makes a notable effort to say, “You know that famous male scientist who discovered that thing? Yeah, half of that work was done by an un-credited woman” (in this face, Ada Lovelace, who wrote the language for the Analytical Engine that preceded Charles Babbage’s unfinished Difference Engine). Yet none of these feministic elements are ever preachy. Lizzie Newton is definitely a Girl Power/Girl-Who-is-GASP-Interested-In-Science book, but it’s more interested in its amusing characters and the details of its plot to dwell on the social concerns that it brings up.
Plot-wise, it’s an interesting whodunit, though the process Lizzie follows to solve the mystery is more interesting than the mystery itself. I never really cared about who may or may not have killed whom in the story, but that was mostly because 1) they were background characters anyway, and 2) the rest of the comic is more interesting.
The art in the book is also worth a mention. The detail that artist Ki-ha Lee puts into costumes and settings is reminiscent of Yana Toboso’s Black Butler, as is the occasional tonal shift between dark, dramatic illustration and funny chibis. In fact, I’d go as far to say that this manga is what Black Butler would be if it involved a detective and an actual point. Tonally, the two are almost identical (even if their stories are ABSOLUTELY dissimilar). The care put into the artwork also recalls Kaoru Mori’s Emma, which was noted for its artist’s obsessive interest in Victorian details, even if her character designs were a bit blah. Lee’s designs lean more toward Toboso’s distinct, expressive characters. Either way, the artwork is lovely and enough reason, on its own, to read the book.
Lizzie Newton: Victorian Mysteries, then, is an excellent manga for readers who enjoy a good mystery with wonderful art, a dash of scientific investigation, and a sneaky lot of girl power spunk. (Note: The back of the book claims that it also contains “a spot of Jane Austen,” which it doesn’t, unless you count the fact that Lizzie shares a name with one of Austen’s protagonists. Also Jane Austen was Regency, not Victorian, so GET YOUR LITERARY PERIODS STRAIGHT, MARKETERS. Anyway, regardless, Austenites are likely to enjoy it because frilly dresses and pride-and-prejudice-smackdowns and stuff.)
The Dragons of Jupiter – Book Trailer
[youtube=http://www.youtube.com/watch?v=n24DP_Cu72s]