In Robert J. Szmidt’s Easy to be a God, humanity has been expanding through the universe for 300 years, and not once has it encountered any other form of intelligent life – until a rough-and-tumble salvaging crew stumbles upon the 50,000-year-old remains of the first…and comes to regret it.
It’s not the last time humanity encounters alien life, though the next is significantly different – two civilizations that are still so planet-bound and primitive that humanity hesitates to interact with either, lest it negatively affect the development of the two. Trouble is, the two civilizations are about to engage in a war that could end up being genocidal for both, and some of the observers cannot let that stand. Acting under the name – and in the capacity of – Gods, they deliver messages and technology to the aliens under the humans’ watch, hoping to avert an atrocity.
In the midst of all this is Henryan Swiecki. He’s been assigned to thwart those interfering Gods, but his own situation is not so simple. He secretly agrees with the logic behind Gods’ actions, but if he fails, he’ll be sent back to one of the most psychologically oppressive prisons in human history, with no hope of escape. Between challenges to his morality and threats against his very life, he has quite a task ahead of him…
I read Easy to be a God on the recommendation of a friend and found it to be well worth the recommendation, but it’s a book that requires some effort. I had to read it twice to fully appreciate it, first because it’s divided into three wildly different parts that don’t seem to have any connection to each other until halfway through the book, second because it features two of the most truly alien cultures I’ve encountered in sci-fi. Neither of these are flaws in the long run, but if you don’t know to expect them, they can make for a challenging (and sometimes frustrating) first read. However, in the end, they all add up to quite an intriguing hard sci-fi novel.
The novel opens up on Nike Stachursky, a top graduate of the Federation Fleet Academy who, after some…ill-advised activity with the Admiral’s youngest daughter finds himself assigned to the Recycling Corps – a salvage unit with such a high casualty rate that it’s not-so-ironically referred to as the Recycling Corpse. There he finds himself amidst the ragtag crew of the FSS Nomad, beneath the coarse but weirdly charismatic Captain Henrichard Morrissey, as they search the wrecks of old battlefields for salvageable loot, and soon happen upon something altogether unexpected.
This section sets up a fun space adventure with a colorful, irreverent cast that could have easily carried through the whole novel, so you can imagine my disappointment when, just after the most exciting part of their own story, they’re dropped for a story and setting so alien that I first thought I’d accidentally opened up a different book (more on that later). Still, the characters make great use of what little time they have in the novel. Nike is a smart (if not exactly sensible) protagonist; Captain Morrissey is one of those odd characters who is a total asshole and yet so hilariously written that he becomes likable; and all the characters in between bounce off each other like a close-knit pirate family (which is essentially what they are).
It’s when their story takes a turn for the dark, though, that it becomes truly intriguing. What starts as the discovery of the “El Dorado” of spaceship hauls reveals that humans aren’t alone in the universe – and maybe haven’t been for a long time. Recollections of other salvage teams that were silenced after certain discoveries leads the crew to wonder if this perhaps wasn’t humanity’s first encounter with alien life – if the Federation has, in fact, known and been covering it up for some reason.
That dark thought aside, certain circumstances of the discovery lead the Nomad‘s chaplain in particular to have a distinct crisis of faith, with even darker implications for humanity.
Unfortunately, the novel never explores those characters or their discoveries beyond this point.
Instead it rockets without preamble into a meeting of the alien Suhurs, who are dealing with their own religious experience – a “Thunder Sower” gifted by the “Spirits of the Mountains” to one of the lowest-ranking members of their society (as opposed to a priest). Here Szmidt has created one of the most fascinating alien species and cultures that I’ve read about in recent sci-fi, with anatomies so unlike those of earth creatures that all Suhur sections necessitate multiple readings. Szmidt doesn’t hold the reader’s hand through these sections either, introducing the aliens with an avalanche of unfamiliar terms and expecting us to rely on context to figure out the relevant information. In retrospect, it’s a pretty cool way to make the reader realize, “Oh hey, these aliens are really alien, not just humans in prosthetics and makeup.” However, on the flipside, it did make for a frustrating initial read, especially since the shift comes out of nowhere following a group of characters we’ve grown to like and whose story has no connection to that of the Suhurs.
And especially since, immediately after, we’re introduced to yet another brand new set of characters. It was at this point on my first read when I began to wonder if any of the stories in this novel would actually connect, particularly because the fourth major shift seems to introduce another new character. (It doesn’t, just an established character using a pseudonym.) Fortunately, except for the first, most of the storylines ultimately do connect, but the abrupt way in which the novel as a whole is structured and the fairly slow reveals of how it all comes together might be enough to turn impatient readers off.
This is perhaps the novel’s greatest flaw; though it is an interesting novel, its very structure risks frustrating readers before they even get to the heart of the main storyline.
That storyline centers around Henryan Swiecki, who was a captain in the Federation Fleet before a corrupt officer allowed forty-two soldiers – including Swiecki’s brother – to die in a depressurization incident solely to hide evidence that he’d been involved in illicit dealings. When the officer escapes justice, Henryan takes it into his own hands, shooting him point-plank and killing him instantly.
This lands him in the Sturgeon Belt, perhaps the cruelest penal colony in the universe, with a warden so sadistically harsh that his prisoners routinely strive to commit suicide…but rarely get the chance in the colony’s tightly-structured and technologically-reinforced schedule (another element of the warden’s sadism). When Swiecki eases himself further onto the warden’s bad side, his punishment is to be in charge of preventing attempted suicides, which does nothing to endear him to the other prisoners – but what choice does he have when his failure results in unimaginable torture? The warden takes enormous pleasure in making Swiecki suffer in whatever way he can, physically and psychologically.
Which is why Swiecki is surprised to suddenly be summoned away from the Sturgeon Belt on orders that even the warden can’t ignore.
Under a new name, he’s been assigned at the space station Xan 4 to help with a secret project: The Federation Fleet has discovered its first (that is, “first”) two alien species and is observing them from afar – never interfering – as the Suhurs and rival Gurds prepare for what is sure to be a genocidal war. That’s not his only secret project, though. As mentioned earlier, the real reason he’s been summoned is to help root out the dissidents acting as Gods and interfering with the operation. His situation becomes even more complicated when Gods tries to recruit him, and he has to decide which he values more: his sense of morality, or avoiding the torture prison at all costs.
What follows is a complicated tale switching between the Suhurs and Gurds as they prepare for battle and Swiecki as he plays both Gods and the Federation to his advantage. At points, it’s almost like reading a spy novel with aliens. Though not as fun and likable as the human cast on the Nomad, Swiecki is capable and fierce, fueled by the disproportionate injustice done to him (and his brother and fellow soldiers), and determined that no one’s going to take advantage of him. If you’re looking to read about a character who takes no crap, he’s it, and you can’t help but cheer when he sticks it to anyone who tries to manipulate him.
All this said, Easy to be a God is ultimately a satisfying, entertaining read, albeit far from a leisurely one. It’s demanding of its reader; there’s a lot to unpack within its pages, and some readers will be frustrated by its structure and untied story threads. (As a small note, there are also enough translation quirks to notice – strange turns of phrase, unusual punctuation choices, etc. – which may be distracting for some). There are subsequent books, though, so one would expect that such threads are tied up in those. Unfortunately, as of this writing, the series seems to have gone out of print in English, but if you happen to come upon a copy, this one’s a challenging, recommended read.
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Food Wars (S1) – Anime Review
After subjecting Jacob to the emasculating experience that was Cute High Earth Defense Club LOVE!, I decided to have some mercy and suggest Food Wars, which has become famous (infamous?) for its fanservice.
Food Wars (aka Shokugeki no Soma) follows amateur chef Yukihira Soma, whose dream of becoming a full time chef at his father’s restaurant is derailed when his dad suddenly closes up shop to travel – and tells him he can only have it if he survives the rigorous training at the elite Totsuki Culinary Academy. This being a shonen anime, nearly every episode comes down to a high-stakes shokugeki – a cooking duel through which students settle debates and rivalries – and through which Soma learns much about cooking and about himself.
Food Wars has become my new second-favorite anime, y’all. It very nearly dethroned Gurren Lagann as my absolute favorite, but there are few anime out there like Gurren Lagann, and many food anime, so Food Wars sits solidly at #2.
This comes as a surprise to no one who knows me, because first of all, FOOD. But I’m also an enthusiastic fan of weird, well-executed premises, complex characterization, meaningful conflicts, and good-natured, genuine competition (as opposed to angst-ridden competitive nastiness), and Food Wars has all of those.
But then there’s the fanservice.
Normally I can’t stand blatant fanservice, so it takes an extra special twist to even get me to watch a fanservice show. (See again: FOOD.) Even with the food appeal, though, I initially wasn’t sure about it, as many reviewers had been uncomfortable with the fanservice, some going as far as to call it rapey.
But fear not: That is (mostly) pure Internet exaggeration.
Still, that said, if no amount of food will make you comfortable with sudden explosive nudity, don’t even try Food Wars. As with many cooking-themed anime, much of the comedy comes from characters’ over-exaggerated reactions to the taste of food, and in Food Wars’ case, Soma’s cooking launches diners into such overwhelming fits of bliss that their clothes periodically burst off in no small approximation of orgasmic pleasure. Though I disagree, I can see why some viewers would compare Food Wars to porn.
I mean…
The difference between Food Wars and other fanservice shows, though, is that Food Wars generally handles its fanservice with class (if such a word can be applied to fanservice).*
First – and most pivotally – though Soma’s cooking makes clothes explode off left and right, he himself is absolutely unaware of this (possibly because all the nudity seems to happen in the same alternate dimension as magical girl costume transformation). He just wants to make people happy with his cooking, and given how sensual the best cooking can be, it’s perhaps not inappropriate that his customers have sensual reactions to match. The point is, no one in this series gawks at nudity that wasn’t meant for their eyes, and even the fanservicey characters are only treated as such for the self-aware humor of it. (It is a blatantly un-ironic joke that the most scantily-clad female is a master of meat, but even then, that joke rarely leaves a cooking context).
Second, the fanservice is equal opportunity. Though the majority of it is female, the series doesn’t shy away from male nudity (young or old). One main male character literally walks around in an apron and nothing else in several scenes.
Finally, the fanservice isn’t even exclusively human. If this series is aiming to be any sort of porn, it’s foodporn. The food art in this series is hands down the best I’ve seen in any anime ever, and I literally ended every episode saying “I want to cook that.” Not only that, the level of detail the series puts into describing the techniques behind each dish shows dedication far beyond what one would expect from a typical anime production. Real research went into making the culinary facets of this show work, and it shows in every episode. My only dislike about this research is that the more complex the characters’ challenges become, the more complex their ingredient requirements, such that, by the end of the first season, I couldn’t make anything in my own kitchen without visiting a specialty store first or learning a very specific time-consuming technique.
But seriously, even if you’re indifferent to everything else about this show, watch it for the food.
All this foodie goodness, though, flows on the hands of the show’s characters like the waves of the most delicious mosh pit. There’s not a single unlikable character in this show, even among the antagonists. All of the characters face each other in the spirit of competition rather than generic antagonism; all are fully rounded people with their own hopes, goals, and high stakes to overcome, such that even when an opponent character loses, the viewer has a reason to be bummed for them. The one possible exception to this is antagonist Erina Nakiri, whose hypersensitive God Tongue is so thwarted by Soma’s cooking that she’d love to see him fail, but even then she judges him fairly.
Strangely, the weakest character of the bunch is Soma himself. He’s a typical shonen protagonist, determined to win no matter the stakes, but he often raises the stakes so high himself that viewers automatically know he’s going to win. After all, if the show’s about a cooking school, it can’t go on if its main character loses enrollment in a bet! As a result, there’s absolutely no tension in the show, except where the semi-expendable minor characters are concerned. But then, even though you know Soma’s going to win, seeing how he does it is a real treat, and therein lies the show’s real suspense.
The same is true, if not more true, of all the other characters. Consider that each character represents a different preferred ingredient, style of cooking, or even food preparation technique, and you’ve got a show that is downright educational! I’ve learned more about creative cooking from this show than I’ve learned from years of Food Network and cookbooks.
In short, Food Wars is a masterpiece. Watch it.
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*Admittedly, the first episode piles on the fanservice (see: the above gif), as do some of the finale episodes, and there are a few references to tentacle hentai here and there (usually in reference to one particularly disgusting squid dish – thus why some viewers have called it rapey). But outside those instances, the show tones itself down significantly.
P.S. – If you want to recreate some dishes from the show, AniTAY has a series of recipes modified from a few episodes. The Gotcha Pork recipe is now a mainstay at House Holo, but I recommend separating it into 4 to 6 smaller loaves rather than two big ones, as they’re easier to move off the pan when finished. They will take an extra pack of bacon, though.
P.P.S – I’ve also finished Season 2, but I don’t plan to review it because it’ll just be more of the same gushery. And the complaint that, now that the characters are competing in very advanced competitions, with recipes to match, little amateur me has no hope of being able to cook these foods.
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Note: Holo Writing is a participant in the Amazon Services LLC Associates Program and, as such, may earn a small commission from any product purchased through an affiliate link on this blog.
The Gordian Protocol in the May 2019 Monthly Baen Bundle!
Baen Books is a cool publisher in that it has a lot of options for fans who are really impatient for release dates. 😀
For example, there’s its eARC collection, for readers who don’t mind upcoming releases with a few typos. There are also the Monthly Baen Bundles, wherein you can buy a handful of upcoming Baen eBooks in one chunk for the nice, wallet-friendly price of $18!
The Gordian Protocol‘s eARC has been out for a bit, and now the final form is available in the May 2019 Monthly Baen Bundle, along with titles from other such authors as Larry Correia, Kasey Ezell, P.C. Hodgell, Elizabeth Moon, David Drake, Steve White, Charles E. Gannon, and Thomas T. Thomas!
Both will only be available until the book officially releases on May 7th, so if you want these versions, be sure to click fast!
*Also, thanks to reader David Macfarlane for reminding us that we hadn’t shared this yet! 🙂
Buy the eARC Here!
Buy the May 2019 Monthly Baen Bundle Here!
H.P. Wants to Show Off Her New Dress
This actually came about at FantaSci, but it gets its own post because IT DESERVES IT.
We were bobbing around the Dealer’s Room when we happened upon the Fashions by Figment booth, and I casually mentioned that I like wearing steampunkish garb at convention appearances. Whereupon, in an absolute and divine miracle, the costumers at said booth present me with a dress that 1) matches my hair, 2) is my favorite color, 3) fits as if it has already been tailored just for me, and 4) is steampunk as all get-out.
https://www.instagram.com/p/BvXy0hogyvB/?utm_source=ig_web_copy_link
I don’t usually buy costumes because I prefer to make my own when I have the time, but Julie and Susan are theatrically-trained costumers who know their stuff – and I’m a firm believer that when the divine speaks, you should listen, especially when it concerns hecka cute clothing.
Here are some other views!
https://www.instagram.com/p/BvXzHZdAK-H/?utm_source=ig_web_copy_link
https://www.instagram.com/p/BvXzcS2gy_4/
https://www.instagram.com/p/BvXz6BZgQoV/
All this to say, if you ever encounter Fashions by Figment at a convention, you should totally check them out. 😀
FantaSci 2019 Con Update!
With the May 7th release of Jacob and David Weber’s The Gordian Protocol (from Baen Books) and a contract already signed for the sequel, 2019’s looking to be a big year for us. It’s only appropriate, then, that our 2019 con season kicked off with a big start!
FantaSci in Durham, NC is one of the sister cons that sprang up from the The Royal Manticoran Navy’s now-defunct HonorCon (R.I.P.), in the form of a multi-fandom con with emphasis on the works of David Weber and the ever-growing Four Horseman Universe helmed by Mark Wandrey and Chris Kennedy. This being its first year, it was small, but what it lacked in numbers it made up for in sheer heart and brilliant company.
For us, though, the excitement began before the con even started. Since FantaSci’s location was so close to Baen Books’ main offices, Baen invited us up for a tour and to meet some of the people responsible for transforming David and Jacob’s manuscript into its final form. Assistant Editor (also an author) Christopher Ruocchio first showed us where the general magic happens; it involves a lot of bookshelves, cubicles, and most importantly, TWO CATS EACH WITH THEIR OWN PERSON-SIZED CAT TOWER. (In my excitement, I forgot both their names, but both were gracious enough to bless me with their squishy bellies so I am forever grateful.) Senior Editor Tony Daniel (also also an author) then continued the tour, showing us the podcasting station where he records The Baen Free Radio Hour (one of my regular listens), and finally Executive Editor Jim Minz and shipping extraordinaire Grace Borger treated us to a spontaneous lunch at local haunt Over the Falls (which was delicious). And then, on Mr. Minz’s recommendation, I tried out Wake Forest Coffee Company, which it turns out makes an iced caramel macchiato to rival my favorite coffee shop’s back home. (It was a coffee miracle!)
But that wasn’t even the end of our Baen adventure—or food adventures. That evening, all the Baen authors at FantaSci were treated to a lavish dinner at NanaSteak, so we were privileged to sit at the same dinner table with the Baen crew from earlier, as well as Timothy and Anna Zahn, Steve White (and wife, whose name has been lost to my con haze! Someone remind me!), Robert E. Hampson, and of course, David and Sharon Rice-Weber—and also to taste the best Mac and cheese I’ve had in my entire life. Seriously, if you are in downtown Durham and don’t try NanaSteak’s Gruyere “Grand Cru” Mac & Cheese, you are not living your best life.)
Joking aside, it was mind blowing to be sitting at the same table as some of the bestselling authors who inspired Jacob to write—and not only that, but on the invitation of the publisher who had released so many of those inspirational works. There were parts of this weekend that felt too incredible to be real, and this was one of them.
All this to say, Baen’s hospitality was amazing, and if the people alone are any indication, we couldn’t have landed at a better publisher. Many thanks to Christopher, Tony, Jim, and Grace for the warm welcome. (And to Toni Weisskopf, Marla, and Corinda, we regret that we didn’t get to see you. 🙁 Maybe next time!)
Now, on to the con itself!
Our SphinxCon panels were so well-received that we repeated many of them here, kicking off Friday with Collaboration with an Author, which I moderated while David and Jacob discussed the process of collaborating on The Gordian Protocol. We followed that with Self-Publishing for Shy People, which, it turns out, was a hard panel to fill for this con because apparently none of the authors in attendance were shy (or were too shy to want to be on a panel about shyness 😆). So Jacob joined me at the last minute for a discussion on how to fake being an extrovert for marketing purposes.
Baen brought another bang to our Saturday morning, starting it off with the Baen Traveling Roadshow. The Roadshow has always been a con favorite of ours, with its perfect recipe of author chats, behind-the-scenes glimpses at upcoming releases, and free books galore. In previous years, we’ve always watched longingly from the back row.
So when Baen invited David and Jacob not only to speak about The Gordian Protocol, but to start the program with it, needless to say we were pumped—and also maybe slightly nauseous. Turns out that a round of applause can do wonders to relieve nervous nausea, though, as we found when the audience cheered to greet Jacob! And when a Gordian Protocol ARC was the first free book chosen by an audience member. (We might have been misreading the room, but it looks like people are excited for this book! 😀)
https://www.instagram.com/p/BvXRx76g9rw/
Once we’d recovered from the Roadshow, I joined author wives Sharon Rice-Weber, Joy Wandrey, Sheellah Kennedy, Wendy Woods, and a whole bunch of margaritas, which are becoming traditional for The Care and Feeding of Authors panel, wherein we discussed what it takes to support an author husband.
https://www.instagram.com/p/BvXWwpdA3Kd/
After that, what FantaSci lacked in shy authors it made up for with chaotic plot pantsers, as Christopher Woods, Ian J. Malone, Jason T. Graves, and Rob Howell all joined me for Writing by the Seat of Your Pants.
https://www.instagram.com/p/BvXvvYlgbNq/
Then, after a well-earned nap, Jacob and I jumped back into a panel room for Chaos of Creation: Balancing World Building and Story, in which we discussed how our two wildly disparate senses of plot and worldbuilding came together to make The Wizard’s Way.
Finally, Sundays tend to be the dead days at cons, but that was far from the case on FantaSci’s Sunday. Our hotel room was perfectly positioned to hear the carnage of not one, but two packed party rooms, and this made us wonder if literally anyone would be conscious enough to come to a 9am panel the following day. But the Jump, Jive, and Write panel ended up having such an impressive crowd for that hour that we panelists ended up giving the audience a round of applause! That’s dedication! Afterward, moderator Ian J. Malone led us, Jason Cordova, and Jason T. Graves in A Discussion of Music and Creative Inspiration that resulted in everyone’s writing playlists exploding. (I have never been so grateful to be a Spotify subscriber.)
Soon after, Jacob ended the con with one of his most exciting panels, Crafting Time Travel Rulesets. The crazy thing about this panel? One of the books that inspired Jacob to write in the first place—in fact, the fateful book that set off this whole adventure—was In Death Ground by David Weber and Steve White.
Who was Jacob’s fellow panelist? Steve White.
https://www.instagram.com/p/BvaJcBjgFux/
Have we mentioned that this weekend felt nothing short of surreal?
Surreal elements aside, FantaSci was also great con for getting back in touch with what’s quickly becoming our con family. Though it’s incredibly exciting to finally be traditionally published, one of the biggest perks of the whole experience has been the people we’ve befriended along the way, so without further ado:
Thanks to Angi and Phil Clayton for carrying our books at the Weber Universal Outfitters booth and generally being awesome. The same goes for Katie and Greg Barnette, who are still our friends even after I accidentally punched Greg in the teeth in the midst of an over-excited flail. 😆 (That’s true friendship right there.)
https://www.instagram.com/p/BvXX9G9AV3N/
Thanks also to Rayanne and Arasin Staubly for Jacob’s fancy new bowtie, and to Wendy Woods for my glamorous kitty ears!
https://www.instagram.com/p/BvU7jnbghLe/
https://www.instagram.com/p/BvXQdKYAvAA/
Thanks to Jonny Minion for being hilarious whether sober or sick on 4HU grog.
Thanks to other author buds Terry Maggert, David Alan Jones, Alan Isom, and Alex Rath, whom we didn’t share panels with, but should have because they are awesome.
And finally, thanks to Joel Lyons and crew for putting together a truly fantastic convention. We had an absolute blast this year and look forward to returning next year! 😀
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Note: Holo Writing is a participant in the Amazon Services LLC Associates Program and, as such, may earn a small commission from any product purchased through an affiliate link on this blog.
FantaSci Panel Schedule!
Hey, readers! Our 2019 con season is kicking off this weekend at FantaSci in Durham, NC!
Here’s a list of our panel appearances and fellow panelists:
COLLABORATING WITH AN AUTHOR
FRIDAY, March 22nd @ 3pm – Camellia
Writing by oneself is a journey, but collaborating with an author is a whole other kind of adventure! We’ll discuss the perks and challenges that come about when two heads come together (sometimes literally).
Panelists: Jacob & H.P. Holo, David Weber
SELF-PUBLISHING FOR SHY PEOPLE
FRIDAY, March 22nd @ 4pm – Camellia
For many aspiring authors, being an introvert is almost synonymous with being a writer…but unfortunately, that doesn’t sell books. We’ll discuss how to get the word out about your writing when all you want to do is hide behind your favorite notebook.
Panelists: H.P. Holo
CARE AND FEEDING OF AUTHORS
SATURDAY, March 23rd @ 11am – Camellia
The role that wives, significant others, family and friends have in caring for the writers that we love so that they can focus on creating the stories that we love.
Panelists: H.P. Holo and other author spouses
WRITING BY THE SEAT OF YOUR PANTS
SATURDAY, March 23rd @ 1pm – Rose
Pantsers unite! Some writers like to chart their story’s course and follow it to the letter. We are not those writers. We’ll discuss tips for writers who want to wander…without getting lost.
Panelists: H.P. Holo, Christopher Woods, Rob Howell, Terry Maggert, and Jason Graves
CHAOS OF CREATION: BALANCING WORLD BUILDING WITH STORY
SATURDAY, March 23rd @ 6pm – Rose
Sometimes you create a world so vast, you can’t possibly fit it all in a readable story. How, then, do you decide what to keep? We’ll discuss how to write a fascinating world while keeping readers engaged through plot and character.
Panelists: Jacob & H.P. Holo
JUMP, JIVE, and WRITE: A DISCUSSION OF MUSIC AS CREATIVE INSPIRATION
SUNDAY, March 24th @ 9am – Rose
The great philosopher, Plato, once said that “music gives a soul to the universe, wings to the mind, flight to the imagination, and life to everything.” Come hear a panel of authors discuss their musical influences growing up, as well as the songs, artists, and themes that drive their writing today.
Panelists: Jacob & H.P. Holo, Jason Cordova, Jason Graves, and Ian Malone
CRAFTING TIME TRAVEL RULESETS
SUNDAY, March 24th @ 11am – Magnolia (Main Room)
Time travel writing is fraught with paradoxes and endless potential for plot holes. We’ll discuss how to design a time travel system that doesn’t break your universe.
Panelists: Jacob Holo and Steve White
Schedule is subject to change so, check out the website or Facebook page for the most up-to-date info.
See you this weekend! 😀
Publishers Weekly on The Gordian Protocol!
Early reviews are beginning to roll in, and Publishers Weekly has good things to say about The Gordian Protocol, especially that:
“time travel enthusiasts will enjoy the moral dilemmas, nonstop action, and crisp writing.”
Not a bad start, if we say so ourselves! 😀
Read The Full Review Here!
Author Spotlight – Annie’s Bookstop of Worcester
The Gordian Protocol‘s release date is drawing ever-closer, and Annie’s Bookstop of Worcester’s shining an Author Spotlight on it, featuring an interview with David Weber and Jacob!
Visit their blog for the full interview to read some insights on how Jacob and David met, how The Gordian Protocol came to be, how they worked together, and more!
Read It Here!
The Gordian Protocol has a release date! Also, an eARC!
It’s been a long time coming, but The Gordian Protocol, Jacob’s collaboration with David Weber, finally has a release date!
Coming May 7, 2019 from Baen Books, The Gordian Protocol is a novel of bent timelines, alternate history, militarized time machines, exploding universes, and explosions in general.
(So basically, everything you’d expect of a Jacob Holo and David Weber novel.)
Naturally, it’s also available for preorder, so if you’d like to go ahead and jump on the time travel train, visit any of the retailers below (or your favorite local bookseller)!
Preorder Here:
But perhaps best of all, you don’t even have to wait until May to read it, as the eARC is already available for download from Baen’s website!
What’s an eARC, you ask? An eARC is the next-to-final, un-copyedited version of the book. It may have a few minor formatting or typographical errors (which we and Baen are working to smooth out as you read this), but it’s essentially The Book – available early for those who just can’t wait to read it! 😀
Buy eARC Here:
As we near the release date, more updates will be forthcoming, so if you don’t want to miss out, be sure to join our mailing list!
Until then, enjoy this clean version of the cover art, illustrated by Dave Seeley:
Mary Poppins Returns – Movie Review
In Mary Poppins Returns, there’s a song titled “A Cover is not the Book.” It’s about various whimsical figures who are not what they seem on the surface, but it might as well be about the movie itself:
What looks to be an expensive, nostalgia-reliant cash grab is…well, still an expensive, nostalgia-reliant cash grab, but it’s also a delightful, deserving follow-up to a timeless classic.
In this sequel to 1964’s Mary Poppins, the Banks children are all grown up and facing grown-up problems—namely, the death of Michael’s wife, which has brought his sister Jane back into the fold of 17 Cherry Tree Lane to help take care of his three children, Annabel, John, and Georgie. A year without their mother has forced these children to grow up fast, but even the help they offer can’t stave off the most recent threat to their family—the potential loss of 17 Cherry Tree Lane and all the memories contained therein. Financially strapped, the only way the family can save their beloved home is to find the shares in Fidelity Fiduciary Bank that their father left to them, but in the disorganization of his grief, Michael has misplaced them. These are problems large enough to require the services of a magical nanny, and with all the foresight of such a nanny, Mary Poppins floats right in.
Mary Poppins Returns is a sequel that almost requires two viewings—one so you can roll your eyes at how often it leans on viewer memories of the original, a second so you can stop being a cynical modern moviegoer and fully enjoy how it not only pays homage to the original, but develops a complex theme all its own and does a practically perfect job of it. (Sorry not sorry.)
That said, the film definitely relies on the structure of the original, to the point where halfway through, I wondered if the film would have a single original plot point. The film opens with its own Bert, in this case a lamplighter named Jack, whose purpose is to carry on Bert Prime’s tradition of awful Cockney accents, introduce the audience to London, and remind everyone of how enigmatic and perfect Mary Poppins is. There’s the Making-a-Mundane-Task-Fun song (“Can You Imagine That?”), the Travel-to-a-Whimsical-Animated-World song (“The Royal Doulton Music Hall”), the jaunty “Supercalifragilisticexpialidocious” romp (“A Cover is Not the Book”), the Visit-to-the-Eccentric-Directionally-Challenged-Cousin song (“Turning Turtle”), the Song-and-Dance-with-Laborers (“Trip a Little Light Fantastic”), and the concluding Everything-is-Happy-and-Stuff-is-Flying song (“Nowhere to go But Up”). By the end, I was astonished that there wasn’t a Lullaby-About-Pigeon-Ladies (though there was a lullaby).
This said, it’s easy to write Mary Poppins Returns off as an unnecessary rip off of a classic. What keeps it from being so is how skillfully it handles its multitude of homages and how it builds upon elements introduced in the original to develop its own meaning.
This is a movie clearly made by fans of the original Mary Poppins. It’s obvious from the very opening song (“(Underneath the) Lovely London Sky”), to the painted-backdrop-and-overture credits to the unmistakably Sherman Brothers-inspired wordplay of the lyrics. (The soundtrack has been on repeat in my office and car since I first saw this movie.) Moreover, it fully understands the stern-yet-whimsical spirit of Mary Poppins as both a story and a character: the philosophy that sometimes even the dark, adult parts of life are best tempered with a little “stuff and nonsense.”
And that is even more key to this film than the last.
For though the movie is, on the surface, a nonsense storybook tale, it’s ultimately a story about grief—Michael coming to terms with the death of his wife (or not, as evidenced by the fact that he can’t run a functioning household without her, try as he might), and the children trying to do the same (but unable to because they have to take care of the household that their father can’t). Contrary to stereotype, when a nanny like Mary Poppins shows up, its because the adults need fixing, not the kids, and in this case, it’s two types of grown-up who need her help—one actual grown-up, three who have been forced to take on grown-up responsibilities tragically early in life.
Granted, the movie’s wildly lavish musical numbers often distract from that. Disney pulled out more stops than usual here, often to spectacular effect (“Trip a Little Light Fantastic” is a show-stopper), sometimes to CGI excess (“Can You Imagine That?” is a great song, but so conspicuously computer-generated that it barely feels like it belongs in the world of the movie). Still, ultimately the lyrics and themes of each individual song come together in a way that leads the Bankses to process their grief from a different perspective and, in effect, to reclaim the joys of innocence and happiness lost.
That this is accomplished through meaningful callbacks to the original Mary Poppins makes it that much better. Though several are admittedly pure window dressing for fans, many serve a relevant, indispensable purpose to the plot—namely the iconic kite from the “Let’s Go Fly a Kite” scene, which may as well have been a character in this film. Even references that don’t influence the plot are used in a charming, characterful way (Admiral Boom, Mr. Binnacle, and their punctual cannon make recurring appearances with a cute twist).
The cast performances are charming as well. With a character as distinct and iconic as Mary Poppins, the strength of the movie naturally rides on the depiction of said character, and Emily Blunt, from her precise language to her calculated slips of mischief, is spot-on in her role. Lin-Manuel Miranda, despite the accent, is as ebullient as the lamps his character lights. Ben Whislaw as Michael maintains a fine, likable balance between loving father and grieving husband, who comes across as emotionally incapacitated rather than completely incompetent, which is key for the appeal of his character (…even if the eventual reveal about the bank shares made the responsible adult in me want to scream at him). Despite not having a lot of screen time compared to the other characters, Emily Mortimer plays a sweet and assertive Jane, whose labor activism is a nice callback to the character’s suffragette mother. Finally, Pixie Davies, Nathaniel Saleh, and Joel Dawson as Annabel, John, and Georgie respectively also fill their roles well, balancing responsibility with playfulness and only coming across as precocious or whinging when children normally would.
The movie does have its flaws, but for me, most of them were nitpicks. There are moments when the film’s visuals become too overwhelming—as in the aforementioned “Can You Imagine That?” scene or in the animated “Royal Doulton Music Hall” sequence, where the backgrounds and costume design hearken back to the scratchy, sketchy Xerox era that produced Mary Poppins…but the animated animals all have clean, modern, digital lines. There’s also an actual antagonist in the form of William “Weatherall” Wilkins (Colin Firth), the new president of Fidelity Fiduciary Bank, who is determined to reclaim 17 Cherry Tree Lane for the very Hollywood reason of Profiting The Bank At All Costs. There’s a minor payoff for this conflict in the form of a fun character reveal at the end (Dick Van Dyke, revisiting a version of a role he played in the original), but in a story where the conflict is about characters overcoming personal problems, a concrete antagonist felt extraneous, and the entire climax could have worked even without the threat of Wilkins’ character. Fortunately, though, we don’t see enough of that character to really complain about, and the end itself is delightful enough to overshadow it.
The same can be said of the movie as a whole. The jaded adult in me might point out its flaws and repetitions, but the child in me delights in the way that it solves hard problems with childlike whimsy. While that seems like an unrealistic way to solve problems, hardships in my own life have taught me that often the best way to survive those periods (or at least ease oneself into a state where one is able to handle them) is to look at the darkness from a different, lighter perspective.
The wackiest song in the film, “Turning Turtle,” is actually the one that conveys the movie’s central message, and when Mary Poppins sings, “When you change the view from where you stood / The things you view will change for good,” it carries a deeper meaning far beyond her topsy-turvy situation. And, indeed, beyond the movie itself.
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SphinxCon 2018 Con Update!
Last weekend we hopped over to Atlanta, GA for the inaugural SphinxCon, a con run by The Royal Manticoran Navy, the Official Honor Harrington Fan Association. Given that said universe was created by Jacob’s esteemed co-author, David Weber, it was a perfect whirlwind of a weekend to spread the word about their upcoming collaboration, The Gordian Protocol (*more on that in a month or so, which is when we’ll officially be able to spill the beans. SO MANY BEANS).
We approached SphinxCon differently from cons we’ve attended in the past. Previously, we were tiny indie minnows in a huge author pond, swimming through Dealer’s Rooms and Artist’s Alleys just to get the word out about our books. Now that we’re slightly less tiny minnows (albeit swimming beside a whale of the sci-fi world), we moved into panels – and in doing so, met a slew of awesome new fans and fellow authors.
Being that The Gordian Protocol is a time travel adventure, Jacob naturally moderated a panel on Crafting Time Travel Rulesets, along with fellow writer William Alan Webb.
https://www.instagram.com/p/Bpz3maMF8KI/
That conversation continued even outside the panel, though. The engineer and physics nerd in Jacob had a riotous time crafting the rules for the world of The Gordian Protocol, going as far as to create a mathematical formula to predict the likelihood of certain time travel-induced changes in the world. (There are spreadsheets. LOTS of spreadsheets.)
https://www.instagram.com/p/Bpr1HY6hQVD/
H.P. moderated several panels, too, including Self-Publishing for Shy People with Jonathan Brazee and Michael J. Allen and Writing by the Seat of Your Pants with both them and Christopher Woods. Jacob joined her for Chaos of Creation: Balancing World Building With Story and then Jonathan Brazee and David Weber, of course, joined us for Collaborating with an Author.
https://www.instagram.com/p/BpvCXyulY02/
Some of the wildest panels, though, were those where we joined crowds of other authors for round table discussions of such topics as World Building (about…world building) and Science Fiction vs. Fantasy: Why not both? (about combining science fiction and fantasy in a single world). It was crazy to be able to sit on panels with such names as Chris Kennedy, Mark Wandrey, and David Gerrold (WRITER OF “THE TROUBLE WITH TRIBBLES,” YOU GUYS), in addition to those we’d already joined.
Of course, we can’t go without mentioning The Care and Feeding of Authors, wherein author spouses (H.P. here) chatted about what it takes to keep an author sane and fed, but mostly drank INCREDIBLE margaritas.
https://www.instagram.com/p/Bpz2JGGlcvn/
The panels were fun, but perhaps the best part of the convention was actually getting to hang out with fans. That’s something that doesn’t necessarily happen at larger cons or in hurried Dealer’s Rooms, but small cons like these provide the perfect opportunity to just chill in a hallway and discuss books and cats and food with people who, previously, we’d only communicated with on our Facebook fan page, if at all!
Best of all, we’re now even more pumped to continue our current writing projects – The Wizard’s Circus for H.P. and the SEQUEL to The Gordian Protocol for Jacob – until we come up for air again at the next con! 😀
We’re on YouTube! (Or, Q&A #1: “Who does your cover art?”)
Hey, fans! A while ago, we asked our readers on Facebook for their burning questions, and now, we’re proud to present 1) our new YouTube channel, and 2) the Q&A video series!
We kick it off with one of our most frequently asked questions:
Who does your cover art?
Check out the video below for introductions to each of our illustrators, and be sure to like and subscribe to our YouTube channel if you’d like to see more. Thanks for watching! 😀
[youtube https://www.youtube.com/watch?v=6hswk1W962I&w=560&h=315]