Hey, readers! Our 2019 con season is kicking off this weekend at FantaSci in Durham, NC!
Here’s a list of our panel appearances and fellow panelists:
COLLABORATING WITH AN AUTHOR
FRIDAY, March 22nd @ 3pm – Camellia
Writing by oneself is a journey, but collaborating with an author is a whole other kind of adventure! We’ll discuss the perks and challenges that come about when two heads come together (sometimes literally).
Panelists: Jacob & H.P. Holo, David Weber
SELF-PUBLISHING FOR SHY PEOPLE
FRIDAY, March 22nd @ 4pm – Camellia
For many aspiring authors, being an introvert is almost synonymous with being a writer…but unfortunately, that doesn’t sell books. We’ll discuss how to get the word out about your writing when all you want to do is hide behind your favorite notebook.
Panelists: H.P. Holo
CARE AND FEEDING OF AUTHORS
SATURDAY, March 23rd @ 11am – Camellia
The role that wives, significant others, family and friends have in caring for the writers that we love so that they can focus on creating the stories that we love.
Panelists: H.P. Holo and other author spouses
WRITING BY THE SEAT OF YOUR PANTS
SATURDAY, March 23rd @ 1pm – Rose
Pantsers unite! Some writers like to chart their story’s course and follow it to the letter. We are not those writers. We’ll discuss tips for writers who want to wander…without getting lost.
Panelists: H.P. Holo, Christopher Woods, Rob Howell, Terry Maggert, and Jason Graves
CHAOS OF CREATION: BALANCING WORLD BUILDING WITH STORY
SATURDAY, March 23rd @ 6pm – Rose
Sometimes you create a world so vast, you can’t possibly fit it all in a readable story. How, then, do you decide what to keep? We’ll discuss how to write a fascinating world while keeping readers engaged through plot and character.
Panelists: Jacob & H.P. Holo
JUMP, JIVE, and WRITE: A DISCUSSION OF MUSIC AS CREATIVE INSPIRATION
SUNDAY, March 24th @ 9am – Rose
The great philosopher, Plato, once said that “music gives a soul to the universe, wings to the mind, flight to the imagination, and life to everything.” Come hear a panel of authors discuss their musical influences growing up, as well as the songs, artists, and themes that drive their writing today.
Panelists: Jacob & H.P. Holo, Jason Cordova, Jason Graves, and Ian Malone
CRAFTING TIME TRAVEL RULESETS
SUNDAY, March 24th @ 11am – Magnolia (Main Room)
Time travel writing is fraught with paradoxes and endless potential for plot holes. We’ll discuss how to design a time travel system that doesn’t break your universe.
Panelists: Jacob Holo and Steve White
Schedule is subject to change so, check out the website or Facebook page for the most up-to-date info.
See you this weekend! 😀
Science Fiction
Publishers Weekly on The Gordian Protocol!
Early reviews are beginning to roll in, and Publishers Weekly has good things to say about The Gordian Protocol, especially that:
“time travel enthusiasts will enjoy the moral dilemmas, nonstop action, and crisp writing.”
Not a bad start, if we say so ourselves! 😀
Read The Full Review Here!
Author Spotlight – Annie’s Bookstop of Worcester
The Gordian Protocol‘s release date is drawing ever-closer, and Annie’s Bookstop of Worcester’s shining an Author Spotlight on it, featuring an interview with David Weber and Jacob!
Visit their blog for the full interview to read some insights on how Jacob and David met, how The Gordian Protocol came to be, how they worked together, and more!
Read It Here!
The Gordian Protocol has a release date! Also, an eARC!
It’s been a long time coming, but The Gordian Protocol, Jacob’s collaboration with David Weber, finally has a release date!
Coming May 7, 2019 from Baen Books, The Gordian Protocol is a novel of bent timelines, alternate history, militarized time machines, exploding universes, and explosions in general.
(So basically, everything you’d expect of a Jacob Holo and David Weber novel.)
Naturally, it’s also available for preorder, so if you’d like to go ahead and jump on the time travel train, visit any of the retailers below (or your favorite local bookseller)!
Preorder Here:
Baen Books – Weber Universal Outfitters (SIGNED AND INSCRIBED COPIES) – Amazon – Barnes & Noble – Books-a-Million – IndieBound – Half Price Books
But perhaps best of all, you don’t even have to wait until May to read it, as the eARC is already available for download from Baen’s website!
What’s an eARC, you ask? An eARC is the next-to-final, un-copyedited version of the book. It may have a few minor formatting or typographical errors (which we and Baen are working to smooth out as you read this), but it’s essentially The Book – available early for those who just can’t wait to read it! 😀
Buy eARC Here:
As we near the release date, more updates will be forthcoming, so if you don’t want to miss out, be sure to join our mailing list!
Until then, enjoy this clean version of the cover art, illustrated by Dave Seeley:
SphinxCon 2018 Con Update!
Last weekend we hopped over to Atlanta, GA for the inaugural SphinxCon, a con run by The Royal Manticoran Navy, the Official Honor Harrington Fan Association. Given that said universe was created by Jacob’s esteemed co-author, David Weber, it was a perfect whirlwind of a weekend to spread the word about their upcoming collaboration, The Gordian Protocol (*more on that in a month or so, which is when we’ll officially be able to spill the beans. SO MANY BEANS).
We approached SphinxCon differently from cons we’ve attended in the past. Previously, we were tiny indie minnows in a huge author pond, swimming through Dealer’s Rooms and Artist’s Alleys just to get the word out about our books. Now that we’re slightly less tiny minnows (albeit swimming beside a whale of the sci-fi world), we moved into panels – and in doing so, met a slew of awesome new fans and fellow authors.
Being that The Gordian Protocol is a time travel adventure, Jacob naturally moderated a panel on Crafting Time Travel Rulesets, along with fellow writer William Alan Webb.
https://www.instagram.com/p/Bpz3maMF8KI/
That conversation continued even outside the panel, though. The engineer and physics nerd in Jacob had a riotous time crafting the rules for the world of The Gordian Protocol, going as far as to create a mathematical formula to predict the likelihood of certain time travel-induced changes in the world. (There are spreadsheets. LOTS of spreadsheets.)
https://www.instagram.com/p/Bpr1HY6hQVD/
H.P. moderated several panels, too, including Self-Publishing for Shy People with Jonathan Brazee and Michael J. Allen and Writing by the Seat of Your Pants with both them and Christopher Woods. Jacob joined her for Chaos of Creation: Balancing World Building With Story and then Jonathan Brazee and David Weber, of course, joined us for Collaborating with an Author.
https://www.instagram.com/p/BpvCXyulY02/
Some of the wildest panels, though, were those where we joined crowds of other authors for round table discussions of such topics as World Building (about…world building) and Science Fiction vs. Fantasy: Why not both? (about combining science fiction and fantasy in a single world). It was crazy to be able to sit on panels with such names as Chris Kennedy, Mark Wandrey, and David Gerrold (WRITER OF “THE TROUBLE WITH TRIBBLES,” YOU GUYS), in addition to those we’d already joined.
Of course, we can’t go without mentioning The Care and Feeding of Authors, wherein author spouses (H.P. here) chatted about what it takes to keep an author sane and fed, but mostly drank INCREDIBLE margaritas.
https://www.instagram.com/p/Bpz2JGGlcvn/
The panels were fun, but perhaps the best part of the convention was actually getting to hang out with fans. That’s something that doesn’t necessarily happen at larger cons or in hurried Dealer’s Rooms, but small cons like these provide the perfect opportunity to just chill in a hallway and discuss books and cats and food with people who, previously, we’d only communicated with on our Facebook fan page, if at all!
Best of all, we’re now even more pumped to continue our current writing projects – The Wizard’s Circus for H.P. and the SEQUEL to The Gordian Protocol for Jacob – until we come up for air again at the next con! 😀
Introducing the Pug of War!
https://www.instagram.com/p/BSHI7gcBBcu/
Sometimes a piece of fanart comes along that digs into your brain and won’t let go.
Last year at SC ComiCon, Phouthong Phimmarath surprised us with this little beauty, plopping the beloved pug butler from The Wizards Way into a fierce suit of Crusader armor from The Dragons of Jupiter.
You’ll recognize Phouthong’s work if you’ve looked at the logos or squinted at the fleurons inside the print editions Seraphim Revival books. He’s already done fantastic art for us, and so it was an easy decision to commission a cleaned-up, graphical version of that initial brilliant sketch. He does a lot of sharp, graphical superhero art, too, so if you’d like to see more of this greatness, check out his art page.
Anyway, his Crusader Pug was a combination we never knew we needed, and the more we stared at it, the more we realized, we needed it on a shirt. And a poster. And a sticker. And a bookmark. And a mousepad. AND EVERYTHING. And quickly we realized that this little dude wasn’t just a doodle. He had mascot potential.
And so now we bring you the new face of Holo Writing:
The Pug of War
Sweet, snuggly, and loyal, there’s no pug you’d rather have by your side. Especially when threats like giant robots and alien bugs and evil wizards show up. When he can’t solve a problem with snuggles…well, that’s what the Gatling gun’s for. But snuggles are his preferred method of attack. I mean, just look at his squishy squish face! 😀 😀 😀
No one knows from whence he came or why, but he will be there when the world needs him.
On a related note, we’ll be bringing Pug of War swag with us to cons, but if we’re not coming to a con near you, never fear! That’s what our new loot shop is for!
Here you’ll be able to find shirts, posters, signed books, and other miscellaneous Holo Writing swag! We’re still waiting on a few more products to post before its ~ Official Launch ~ but until then, feel free to swing on by and check out some adorable, awesome stuff! 😀 😀 😀
Dog Aliens #1: Raffle’s Name – Book Review
I spotted Dog Aliens #1: Raffle’s Name by Cherise Kelley on a Book Barbarian promo, and with my love of all things animal and sci-fi, how could I turn it down?
In Dog Aliens, Clem is not a dog, but rather a Kaxian, an alien race that looks exactly like Earth dogs and is living on earth to mine for Jex. Jex is a mineral that humans don’t need but is intensely important to the Kaxian – and to the Niques, another race of dog aliens who will do anything in their power to stop the Kaxian from getting the Jex.
This sounds like a setup for an epic animal story via Erin Hunter’s Warriors or Kathryn Lasky’s Guardians of Ga’Hoole, but really it’s the tale of Clem as he goes on various little adventures, from finding a new family once he’s abandoned by his original owner, escaping from his new careless owner, trying to get adopted from a shelter, fending off pesky cats and Niques – and figuring out his strange new ability to influence minds by projecting “mind movies” onto them.
The story lacks direction because of this episodic structure, but I doubt this will matter for its target audience, which is young middle schoolers and people who just love to read about dogs. For those readers, it’s fun to see earthly dog habits explained in Kaxian terms: Dogs dig all the time because they’re mining for Jex; they eat Jex to carry it, poop it to deliver it, and eat it again to carry it further if needs be. Not all of the content has earth dog parallels, though: Kaxians, for example, have multiple lives (as cats are reputed to, not dogs), and the book never establishes why exactly Jex is so important.
This may detract from the enjoyment of picky readers (Personally, I wanted more details about nearly all nontraditional elements of the story). Others who are looking for a quick, clean read, though, will enjoy it. The book is clear from the beginning that it’s a gentle read, with page one clearly stating that no dogs die, and in general it’s pretty tame, though there is one scene where a bad owner threatens to hit a dog with a frying pan and another wherein a dog in a shelter hopes that it won’t send him to his next life (i.e. implying he’s in a kill shelter).
Ultimately, it’s a quick, fun read for fans of talking animal adventures.
***
Note: Holo Writing is a participant in the Amazon Services LLC Associates Program and, as such, may earn a small commission from any product purchased through an affiliate link on this blog.
EXCITING NEWS involving Jacob, David Weber, and a NEW BOOK!
I have a funny Liberty Con story: My fellow authors and I were gathering for our Sunday panel last summer, proudly displaying our books so everyone could see what we’d written. Suddenly the author next to me sees The Wizard’s Way. His eyes go wide and starry (I may have imagined this) and he asks, “You wrote a book with Jacob Holo? Is that the same Jacob Holo that’s writing a book with David Weber?”
So now I am mildly famous by association by association, which is funny. But not actually the point of this story.
The point of this story is that Jacob indeed WROTE A NOVEL WITH DAVID FREAKING DADDY OF HONOR HARRINGTON, CREATOR OF SAFEHOLD WEBER.
ACTUAL PHOTOGRAPHIC EVIDENCE:
https://www.instagram.com/p/BhFzPU6lj3P/
By this point, it would be more correct to say that David and Jacob just signed a contract for the novel with Baen Books and are working on the final draft, so it will be happening later rather than sooner.
Until then, I imagine you probably want to know more about this mysterious book.
Once upon a time, Jacob told me he’d never write a time travel novel. Well, when David Weber asks you if you want to write a time travel novel with him, you change your mind. Unfortunately, we can’t reveal more than that until closer to the release, but rest assured, it’s a novel in which lots of things explode because, hello, look at the authors.
We don’t have a projected release date yet, but a perfect way to keep up with the book’s progress is to join our mailing list. More news of this exciting project will reach you as soon as we have it!
***
Note: Holo Writing is a participant in the Amazon Services LLC Associates Program and, as such, may earn a small commission from any product purchased through an affiliate link on this blog.
Star Wars Episode VIII: The Last Jedi – Movie Review
SPOILER SPACE! SPOILER SPACE! SPOILER SPACE! SPOILER SPACE! SPOILER SPACE! SPOILER SPACE! SPOILER SPACE! SPOILER SPACE! SPOILER SPACE! SPOILER SPACE! SPOILER SPACE! SPOILER SPACE! SPOILER SPACE! SPOILER SPACE! SPOILER SPACE! SPOILER SPACE! SPOILER SPACE! SPOILER SPACE! SPOILER SPACE! SPOILER SPACE! SPOILER SPACE! SPOILER SPACE! SPOILER SPACE! SPOILER SPACE!
SPOILERS AHEAD.
YOU’VE BEEN WARNED.
H.P. is a pretty casual Star Wars fan. Which is to say, she enjoyed the original three, tolerates the prequels, loves the porgs even if she wonders what they taste like, and her most pressing fan question is “WHYYYY hasn’t the Star Wars Christmas Special been re-released yet?”
Jacob is not. Which is to say, his first pieces of writing were Star Wars fanfic. He has a level of reverence for the Empire that would give Kylo Ren goosebumps. He decorated the Holo dining room with Imperial Fleet propaganda. The Holo dining room table is frequently covered with not dinner, but Imperial Star Wars Armada miniatures, their cards all arranged in the plotting of his next devastating fleet. His most pressing fan question is “WHYYYY does the First Order even exist?”
All this to say, we covered both target audiences that The Last Jedi aimed to please.
Which is to say, when a fan who wants to see a Christmas Special release is disappointed by your movie, you’ve done something wrong.
Which is to say, when a fan whose dining room is a mini Star Wars shrine erupts into an angry rant that ends in impassioned manly fanboy tears at your movie, you’ve done something wrong.
(Seriously, guys, you missed out on some potential Internet gold last week.
Jacob’s still so angry at the movie that H.P. had to write this review.
Also seriously, f*** the First Order.)
To be fair, The Last Jedi is not a bad sci-fi movie. It’s not even a disappointing sci-fi movie. It is, however, an intensely disappointing Star Wars movie. Star Wars is as looming a behemoth in the fandom world as Disney is in the moviemaking world, and both are at their height right now. Given this situation, and its great if derivative trailer, one would expect The Last Jedi to be a perfect marriage of everything fans love about Star Wars and the massive resources Disney can devote to a project of that scale.
Of the considerable resources Disney did fling at this movie, none of them were in the writing department, which is where every single piece of this movie fails.
There are plenty of good moments in The Last Jedi – most of its humor is laugh-out-loud (even if it approaches being too goofy), and the art direction is stellar, especially in the climax – but a movie needs more than a string of unconnected moments to pull it together.
The plot, simply put, is terrible. Its most glaring flaw is the pacing. Most of the film comes down to the Resistance fleet, low on fuel and unable to jump to hyperspace, slowly puttering just out of reach of the pursuing First Order’s cannons. This is literally the opposite of the exciting space battles one expects of Star Wars. Switch to Rey in her quest to recruit Luke Skywalker to the Resistance cause, and we have more waiting – first for Luke to be something other than a crotchety old man who has no time for Rey, then for him to decide to train Rey, then take it back when her power scares him. Switch to the First Order, where Kylo Ren has fallen from grace and struggles with his own deep internal conflict – which could be interesting, but is only expressed through strange Force conversations that he’s able to hold with Rey (any advancements made in which are completely negated by a late-movie twist).
I honestly do not understand how anyone could read this slow-paced mess and decide to throw millions of dollars of funding behind it.
Even worse, though, is the way the movie handles its characters. For all its flaws, The Force Awakens at least set up some interesting characters and relationships – Finn and Poe and their frequent Need of Pilot, Rey and her mysterious backstory, Kylo Ren and all his issues. The Last Jedi explores none of that. In fact, it separates Finn from Poe, reducing Finn to a coward who starts the movie by trying to desert (despite being able to go toe-to-toe with Kylo Ren in the previous movie) and ends up roped into an off-ship side quest trying to hide that he was deserting. Poe, meanwhile, is back on the Resistance cruiser being a loose cannon and generally not being a pilot (except for the movie’s opening scene). Rey spends so much time trying to win Luke that when he finally starts training her, it’s a relief, not a joy, and we don’t learn any more about her than we’d already guessed, even if we do get some neat, weird metaphysical scenes out of it. Of the new trilogy characters, Kylo Ren’s arc had the most potential for development—and did have several exciting “Ooo!” moments—but his considerable internal conflict doesn’t lead him anywhere new or interesting by the end.
Supreme Leader Snoke and Captain Phasma get the worst of it, though. Captain Phasma, at least among fan expectations, has been built up to be an imposing antagonist as cool as her armor. I forgave The Force Awakens for not cashing in on that because, after all, there were two more movies coming at that point, but in The Last Jedi, all Captain Phasma does is botch an execution, fight once, and then fall into a flame pit. Snoke’s identity and ultimate plan was another such highly-anticipated reveal, only to be revealed as…nothing. The only things we learn about him are that he is, in fact, not as giant as his holograms suggest and that he has really snappy taste in bathrobes. He dies without any meaningful bits of his mystery being solved, in the most obnoxious tease-without-a-payoff of the entire movie.
I feel you, Rey.
Again, I simply cannot understand why someone greenlit a script that solved none of the mysteries fans were clamoring to see solved. (We do learn the secret of who Rey’s parents are, and it is unexpected, but it also comes from an untrustworthy source, so who knows if that’s the actual truth?)
Now—ONLY NOW—do we come to the flaws that drove Jacob to absolute nerdrage on the way home from the theatre.
As an avid Armada nerd, Jacob knows his Star Wars military strategy. Whoever created the military circumstances of The Last Jedi does not, and does it hard. The First Order and Resistance are two complete disasters of military planning, and it’s evident from the very first scene.
In it, the First Order hypers in to take out a Resistance base, armed with several star destroyers and a dreadnought, which is basically a bigger, angrier star destroyer with nice guns…and apparently no shields. And no combat space patrol to escort it. Only after Poe—just Poe—flies in on his sassy X-wing and starts taking out cannons does the leadership think it prudent to sent out some TIE fighters to maybe wreck him. But oops, they’re too late; he’s done his job, which is apparently to distract the entire First Order fleet so that five big-ass bombers can appear out of nowhere and advance with excruciatingly slow speed toward the unshielded dreadnought.
Logical problems run rampant here: If the bombers are that slow, how could the First Order not notice them coming in the first place? And if they hypered in, why not hyper in on top of the dreadnought and drop their load there? But wait, you might say! “Drop their load? They’re in space! What gravity are they expecting to pull these bombs into free fall?” Well, The Last Jedi hears your question and answers…actually nope. It doesn’t. But the scene at least gives us some fun Poe being Poe and a touching self-sacrifice (not Poe), so there’s that.
Proceed to the main plot, during which the Resistance fleet is forced to slowly motor away from the ever-patient First Order, and you encounter the frustrating problem of “THE RESISTANCE IS TRAVELING IN A SLOW, STRAIGHT LINE, AND THE FIRST ORDER HAS HYPERSPACE CAPABILITIES. WHY NOT HYPER SOME STAR DESTROYERS OUT IN FRONT OF THE RESISTANCE FLEET AND WIPE THEM OUT IN A SECOND OR JUST SWARM THEM WITH TIE FIGHTERS instead of following them slowly and politely through space I swear is General Hux in the back playing Angry Porgs when he’s not on screen?
It’s not like he’s a competent general, anyway; otherwise he might have realized that the First Order—which nearly controls the entire galaxy—vs. the last 400 Resistance fighters is not a war. It’s an itch, a skirmish at most. A single star destroyer carries more personnel than remains in the entire Resistance (70,000 to be precise)! The scale of this conflict is so unbelievably one-sided that I can’t even fathom how these 400 fighters have managed to evade the First Order in the first place, especially as easily as they’re picked off in this movie, and especially since they’re traveling together in one convenient package. The only explanation I can come up with is that they’re protected by the sheer badassery of Carrie Fisher, which given the logic of this movie, is as reasonable as anything else.
Proceed to the next phase of the plot, where a forgotten, uncharted Rebel base randomly shows up to give the Resistance a big ol’ dose of Hope, and the Resistance decides to evacuate its doomed cruiser to make for the base. In transports that don’t have hyperdrives, even though EVERY Resistance ship has hyperdrives. (On that point, why all head to the base to begin with? Why not scatter and force the First Order to chase more than one target?) That’s another disaster of strategy, but worse is what the movie could have done with this scene, compared to what the movie actually did.
Early in the movie, Princess Leia is knocked out of commission, the rest of the leadership is blown to bits, and so a new character whom I’ve never heard of but is presumably a great leader steps in to take her place. I can’t remember her name, so I’m going to call her Effie Trinket, because she looks like her and has about as much substance…but still gets a heroic death when she decides to stay with the cruiser and provide a distraction…in the form of turning the cruiser toward the First Order and hypering through the whole fleet (more on that later. UGH SO MUCH MORE). Effie isn’t developed. We’re supposed to feel sad at her sacrifice, but we don’t, because we as viewers don’t know her. You know who could have gotten a deservingly heroic death out of that scene? PRINCESS F*****G LEIA. Or even Admiral Ackbar, going down on his iconic Mon Calamari ship. Not some invented one-shot who does nothing more than be a pretty purple piece of cardboard with the apparent ability to break the laws of even Star Wars physics.
Which brings up another great, frustrating flaw. In the very first Star Wars movie (okay, fourth by modern chronology), it’s clearly established that if a hyperdrive detects any obstacles in its path, it sits down like a finicky two-year-old and goes NOPE until its path looks perfect again. It doesn’t have any safeties to be deactivated. It just DOESN’T. And it certainly doesn’t hyper through an entire space fleet.
At least, it didn’t. But here, what makes for a superficially badass scene and sacrifice ultimately rips the world of Star Wars physics apart (and there wasn’t much to begin with). If it’s now possible to hyper through things, why not make hyperdrive-equipped missiles? In fact, why not just strap hyperdrives to anvils if that’s all it takes to wreck a star destroyer? That small suggestion alone completely changes the face of warfare in the Star Wars universe and brings up the all-encompassing flaw in The Last Jedi:
If the movie isn’t going to care about its own lore, why should I?
That is ultimately what sucks the magic out of The Last Jedi.
I can enjoy even a mediocre plot if the world sets and respects its own rules. Once a world breaks its rules for the convenience of its plot, I’m done, and unfortunately, The Last Jedi is a thorough world-breaker.
The film doesn’t even do its fan-service well. In the climax on the Rebel base, it misses a perfect opportunity to send the heroes out in classic X-wings and Y-wings, but instead sends them out in rickety space jalopies that don’t even have a particularly interesting design.
Mercifully, The Last Jedi does have one redeeming quality.
About the only thing it handled well was Luke Skywalker’s personal arc, which sees him through a hard, emotional transformation and drags him through a spiritual gauntlet before launching him out to a truly fitting end. The final battle of the movie has some logical flaws (in terms of military strategy, because of course), but beyond those it’s the stuff Star Wars dreams are made of. Visually, it’s damn beautiful, and emotionally it hits all the notes that the rest of the movie should have hit.
In retrospect, I probably should have cried at the end, and am actually tearing up a bit right now thinking about how well-done it was. But when it happened in the theater, I was so pissed at the rest of the movie that I was just ready for it to be over, which is something neither I, nor Jacob, ever thought we’d say about a Star Wars movie.
Except for its isolated high points, The Last Jedi is an expensive, flashy, unmitigated disaster that might even be on par with Episode III.
But hey, at least it gave us the porgs.
***
Note: Holo Writing is a participant in the Amazon Services LLC Associates Program and, as such, may earn a small commission from any product purchased through an affiliate link on this blog.
Valiant Dust – Book Review
When David Weber puts a book in your hands and tells you to read it, you do, and so here is my book report on my recent ARC of Valiant Dust by Richard Baker.
In Valiant Dust, Sikander Singh North is an aristocrat-turned-soldier, off to begin his first mission on the Aquilan Commonwealth starship CSS Hector. Sikander himself is not wholly Aquilan; rather, he is from Kashmir, a colonial possession of Aquila that, while economically valuable, does not yet have the technology to construct its own fleet of interstellar warships, and so he serves there to learn how he might better serve his home. As he does so, though, he’s in for a bumpy ride. For CSS Hector has been sent to the planet of Gadira II, where tensions between the ruling sultanate and the rebel caidists have long been mounting on the planet, and where forces that aren’t supposed to be there have suddenly appeared in orbit…
Valiant Dust is easily one of the best pieces of military sci-fi I’ve read this year. Its fast pace and its complex, yet efficiently characterized cast make it a fun read, while its streamlined descriptions of far-future ship tech make it accessible. If you’re a reader who has been wanting to try military sci-fi but has been daunted by the overwhelming techno- and military-babble that is so common in the genre, Valiant Dust presents an excellent starting point.
Those praises (and David’s recommendation) aside, I have to admit that the cultures involved were what grabbed my attention most. Sikander hails from an Indian-descended planet, while Gadira II is Arabic-descended and Islamic-influenced. The ruling powers of Gadira are liberal enough to be okay, if uneasy, about a princess taking an active interest in military affairs, while the citizenry is variably conservative – though not, it should be noted, necessarily terroristic, except where the story’s rebellion is concerned. And even then the rebellion is not religiously-based, but rather rooted in citizen concerns that their rulers are making deals with offworld powers that will benefit the elite, not the common people – or that will eventually benefit the offworlders exclusively, leaving Gadira an exploited, ruined planet. The only actual terrorism in the book takes place in Sikander’s past, where he loses much of his family and innocence in a politically-motivated attack. The circumstances surrounding that tragedy – expressed in well-placed flashbacks throughout the book – give Sikander an emotional tie to the aforementioned Gadiran princess (that is, Amira) Ranya Meriem el-Nasir, who lost her parents in a similar manner. (Ranya herself is one of the most engaging characters in the novel. Though a small romance blooms between her and Sikander, it takes a backseat to her whip-smart attention to political details and her consequent involvement in the uprisings that eventually take place. She became one of my favorite characters as soon as she appeared in the book.)
I don’t know enough about the intricacies of Indian or Arabic cultures to comment upon how accurate the depictions are – and really, given that the novel is set so far in the future (implying plenty of time for cultural change) the point is moot. However, given that the vast majority of sci-fi and fantasy involves Western-inspired cultures, the fact that this novel puts non-Western cultures front and center in a respectful, detailed, effortless, timeless way makes it an instant gem. I mention the last detail in particular because while this is a novel made up of currently-contentious puzzle pieces – namely complexities surrounding Islam and capitalist/imperialist exploitation – those pieces are handled in such a way that readers will be able to pick up this book 50+ years from now and still be able to find some meaning in it. It doesn’t try to provide obvious commentary on any of its components, which in turn makes it one of the more accidentally-engaging political reads I’ve ever read.
All that said, though, this book isn’t trying to be an Important Political Book. What it’s trying to be is a hecka fun military sci-fi action book that just happens to have political complexities at its center. The food for thought is there if you look for it, but it’s still a great read even if all you want out of it is explosions.
***
Note: Holo Writing is a participant in the Amazon Services LLC Associates Program and, as such, may earn a small commission from any product purchased through an affiliate link on this blog.
An Unproven Concept – Book Review
James Young is another of those authors whose books I bought at LibertyCon years ago and subsequently forgot to read because I tell myself that I’m not going to buy new books until I finish my current pile and, unfortunately, I am a terrible liar. Which results in old books getting hopelessly buried under new books.
An Unproven Concept suffers from an uninspiring title, which is another of the reasons why it sat on my to-read pile for so long. What it should really be titled is “MFing TITANIC IN SPACE!” or some equivalent, because truly, this is a book for people who watched Titanic and thought “You know what this movie needs? Starships and a higher body count.”
An Unproven Concept’s Titanic is a starliner that is the best of its type, but the iceberg on its horizon is the persistent advancement of ship technology, which threatens to obliterate the Titanic’s illustrious place in the echelon of starships. Company executives are breathing down the captain’s neck to keep his ship relevant and insist that a trip into uncharted – and illegal – space might just be the shot in the arm that Czarina Lines needs to stay at the top of the game.
Turns out that technological advancement isn’t the only iceberg in this Titanic’s way. When it makes first contact with not one, but two hostile alien species in this territory, it’ll need all the help it can get to save what remains of its passengers and crew.
Nearby are only two ships – the Constitution, a new, experimental ship that everyone expects to fail, and the Shigure, a dinosaur of a ship with a few surprises hidden up her sleeve (in both cases, the unproven concepts of the title). They’d better make it in time, because in this area of space, they’re the Titanic’s only hope.
An Unproven Concept is an entertaining piece of military sci-fi, especially for readers who are Titanic nerds and who like mounds of detail and numbers mixed in with their action. It isn’t so much a retelling of the Titanic disaster as a “What if the Titanic wrecked in space?” exploration, though it does keep some of the tropes that follow the Titanic story – namely, someone in power over the ship insisting that it go faster or, in this case, be more interesting. I initially found that one repetition frustrating; by this point in the far future, after inevitable centuries of Titanic retellings, the captain of a ship with the most unlucky name in transportation should know to answer any orders of that nature with “LOL u so silly. 😛 ” But on the flip side, it’s an obnoxious company exec doing the insisting, threatening livelihoods until he gets his way, etc., and when it comes down to it, a dumb, arrogant, disastrous exec is not that unbelievable. (Plus readers get to enjoy one of the most satisfying comeuppances in the history of executive idiocy when this character gets his due, so it’s worth it just for that.)
Despite its level of detail, too, it’s also fairly easy to read for even casual military sci-fi readers. Personally, when I encounter ship statistics in books, they sound like Charlie Brown’s teacher in my brain – I don’t read for the math. I read for the KABOOM. – but they’re so structured in this book that you can glance over them and still understand what’s going on around them.
Of course, no military sci-fi book – or disaster book, for that matter – is worth anything if you don’t care for the people fighting and dying, and An Unproven Concept’s characters are believable and sympathetic (except for that one exec, whom I’d call a dick if it wouldn’t be an insult to Richards and manly bits everywhere). Abraham Herrod, captain of the Titanic, is one of the easiest to relate to, as he’s just a guy trying to do a good job but being thwarted at every turn by the higher ups. Marcus Martin is one of the best and most badass; as chief security officer on the Titanic, he’s got an obvious bone to pick with everyone who allowed the ship to go into dangerous space, but until he can pick that bone (and maybe break a few) he’s determined to keep as many alive as he can – even if this sometimes involves letting others die.
See, this is a complex book where characters find themselves in situations where there are no good solutions, just some solutions that are slightly less bad than others. But if that’s what you’ve got to work with, you work with it. (It is a military novel, after all.) It also makes the losses even more catastrophic, for the characters who survive have to live not only with their personal losses, but the question of whether their actions were legitimately the right ones. The novel spends a significant amount of time after the conflict’s resolution wrapping up these emotional ends, which on one side, makes for a slow ending, but on the other, makes the end more relevant. It’s not a “Rah-rah! We beat the aliens!” win, because when it comes to any kind of military conflict, there’s rarely a “Rah-rah!”-style ending. There’s always tragedy among the victory, and An Unproven Concept captures that well. However, at its heart, it does allow itself to have some fun with its situations. I mean, characters don power armor and mech suits more than once, after all, and there’s plenty of tough soldier sass to go around.
My only real complaint about the book is that the aliens’ motives aren’t explored much at all; they’re present pretty much exclusively to wreak the havoc that causes the disaster. I would have liked to learn more about them, especially since two separate civilizations were involved, but then, that’s not the story this book wanted to tell. There are also enough typos to notice, but not enough to distract; the story was engaging enough that they didn’t matter as much to me as they would have in other books.
If you’re into military sci-fi, then, An Unproven Concept is well worth your time.
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H.P. at Liberty Con 30!, Part 1
Whew! Liberty Con 30 ended a week ago, but it’s taken me this long to recover from it – which is a sign of a great con, if I say so myself. (Also a sign that my hotel room had some of the worst soundproofing in the world. To my next door neighbors, congratulations on the child you will inevitably have in nine months.)
Liberty Con in Chattanooga, TN is a unique sci-fi and fantasy convention in that it limits attendance to 700 or so members and nearly half of those members are authors, which means that the fan half has a pretty significant chance of, oh, just running into John Ringo or David Weber or Kevin Hearne or [Insert Other Bestselling Sci-Fi/Fantasy Author Here]. There’s even an event on Sunday (the Kaffeeklatsch) that literally boils down to “Sit Down and Have Coffee With Your Favorite Author.” (I didn’t have coffee with Kevin Hearne, but I totally picked up every Iron Druid Chronicles book I didn’t already own and now have signed copies of EVERYTHING YESSSS.)
The con’s also a smorgasbord of smaller-name-but-equally-awesome authors, like Terry Maggert, whose Banshee I reviewed earlier this year and whose series starters I picked up in the Author’s Alley; Lydia Sherrer, who wrote the other wizard-with-a-talking-animal series at the con – Love, Lies, and Hocus Pocus – which I picked up in full; Dave Schroder, who wrote the Xenotech Support series, which I basically picture as “Office Space In Space With More Tech Support” and so of course picked up the first book in that as well; and Edward F. McKeown, whose Maauro Chronicles I started solely because of that cool anime-styled character on the cover DON’T JUDGE ME.
This was also the first con where I had the opportunity to be an active participant as well as an active nerd, so I did my first reading ever with Beth W. Patterson (author of The Wild Harmonic, which is about shapeshifting were musicians. SHAPESHIFTING WERE MUSICIANS, GUYS). I also shared a panel on “YA SF & F Literature – How to Keep The Young Mind’s Attention in the Age of Video” with Michael J. Allen, Taylor S. Hoch, Nan Monroe, and S. Andrew Swann, wherein I mostly said “Yes!” and “I agree!” because it was Sunday at 1 and I was zonked, y’all. I apologize to all who came to that panel to see me, but I promise, find me at any other convention and I will talk your ears off and probably the ears of your neighbor, too, so bring extras.
I also somehow got lured into scoring the final round of the Killer Cutthroat Spades Tournament at 10:30pm on Saturday night, despite only learning how to play Spades three weeks ago, but such is the surreal experience that is Liberty Con.
If you ever get a chance to go to Liberty Con, whether as author or fan, I highly recommend it. It’s that rare convention that feels less like a hyperactive mob, more like a family reunion where everyone is a nerd, some are authors, and some are literally rocket scientists or nuclear physicists – so, the best and smartest family reunion ever.
Also, if all the questions I got about my Author’s Alley display are any indication, I can apparently hook you up with some sweet goods that will make your author table pop at a con – so many questions, in fact, that I promised a blog post compiling all my answers. If you’re one of those inquisitive authors, keep your eyes on our feed. Part 2, or “FAQ: Where’d you get that…?” is coming soon!
Note: Holo Writing is a participant in the Amazon Services LLC Associates Program and, as such, may earn a small commission from any product purchased through an affiliate link on this blog.